Paris 2022 programme

salle

Carte blanche to Dara Birnbaum

This year, a carte blanche screening is offered to Dara Birnbaum, the unique video pioneer behind the iconic "Technology/Transformation: Wonder Woman". Saturday 7 May at 8pm at the Louvre auditorium, free entry subject to availability.

A two-part screening on the issues of media art practices and an interrogation of our contemporary times, with the screening of a rare film by Jean-Luc Godard and Jean-Pierre Gorin, in dialogue with Dara Birnbaum's early video works.

Louvre auditorium - Saturday 7 May, 8PM

Session introduced by Raymond Bellour.
Screening followed by a conversation in English with Dara Birnbaum.
The conversation will be held remotely and will be streamed live.

Jean-Luc Godard and Jean-Pierre Gorin : Letter to Jane
Exp. documentary | black and white | 52' | France, Switzerland, USA | 1972

Dara Birnbaum : Technology/Transformation: Wonder Woman
Video | colour | 5'50'' | USA | 1978-1979

Kiss the Girls: Make Them Cry
| Video | Betacam SP | colour | 0:06:26 | USA | 1979

Dara Birnbaum : Fire!/Hendrix
Video | colour | 3'13'' | USA | 1982

Dara Birnbaum : Canon: Taking to the Streets
Video | colour | 10' | USA | 1990

For four decades, Dara Birnbaum's pioneering works in video, media and installation have questioned the ideological and aesthetic character of mass media imagery, and are considered fundamental to our understanding of the history of media practices and contemporary art.

Dara Birnbaum was born in New York City in 1946 where she continues to live and work. Dara Birnbaum received a B.A. in architecture from Carnegie Mellon University in Pittsburgh, a B.F.A. in painting from the San Francisco Art Institute, and a certificate in video and electronic editing from the Video Study Center at the New School for Social Research in New York.

Dara Birnbaum was one of the first artists to develop complex and innovative installations that juxtapose images from multiple sources while incorporating three-dimensional elements - large-scale photographs, sculptural or architectural elements - into the work. She is known for her innovative strategies and use of manipulated television footage.

Birnbaum's work has been exhibited widely at MoMA PS1, New York (2019); National Portrait Gallery, London (2018); Cleveland Museum of Art, Ohio (2018); South London Gallery, UK (2011); major retrospectives at Serralves Foundation, Porto, Portugal (2010) and S. M.A.K. Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2009); Center for Contemporary Art, CCA Kitakyushu (2009); Museum of Modern Art, New York (2008); Kunsthalle Wien, Vienna, Austria (2006); and The Jewish Museum, New York (2003). His work has been exhibited at Documenta 7, 8 and 9. Birnbaum has won several prestigious awards including: John Simon Guggenheim Memorial Foundation Fellowship (2021); The Rockefeller Foundation Bellagio Center Arts Residency (2011); the Pollock-Krasner Foundation Grant (2011); and the prestigious United States Artists Fellowship (2010). In 2016, she was recognized and honored for her work by The Kitchen, New York, at their annual gala.

She was the first woman in video to receive the prestigious Maya Deren Award from the American Film Institute in 1987. In February 2017, Carnegie Mellon University's School of Art established the Birnbaum Award in her honour.