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Feargal Ward, Jonathan Sammon

Ivanko the Bear's Child

Experimental doc. | dcp | color | 25:0 | Ireland | 2024

A peasant’s wife loses her way in the forest and stumbles into a bear’s den. The bear keeps her with him, and after a time, a half-bear, half-child is born. They long to escape. To this backdrop, we move through the corridors and streets of a deserted German military town, once the central headquarters of the Soviet army’s occupation of Eastern Europe. Sealed off to the public for decades, this obscure complex became known to outsiders as “the Forbidden City.” A primal Russian fairy tale is employed to navigate this labyrinthine site, which appears to speak to both the legacy of this contested past and the unsettling resonances of our present.

Feargal Ward and Jonathan Sammon are filmmaking artists from Ireland. Much of their work explores the boundaries and possibilities of the hybrid-documentary form, where tropes and devices of narrative cinema are often appropriated or subverted in an attempt to interrogate established truths. Previous films they have collaborated on include 'Tin City', which premiered at this year’s Berlinale (Forum Expanded) before screening at multiple festivals including Karlovy Vary, Cinéma du Réel, and Festival dei Popoli, where it was awarded the International Discoveries Prize. Other collaborations involving Adrian Duncan include the films 'Lowland' (Cork International Film Festival), 'Memory Room' (IDFA, EVA International, Dokufest Kosovo), and 'Tension Structures' (IDFA, Hot Docs, RIDM). Ward’s feature documentary 'The Lonely Battle of Thomas Reid' premiered in the main competition at IDFA and screened at multiple festivals before being broadcast on German, Irish, and Finnish television. His debut feature documentary 'Yximalloo' (co-directed with Tadhg O’Sullivan) premiered at FID Marseille, where it won the Prix Premier