Catalogue > Un extrait vidéo au hasard

'Ruido ê (the film)' is a musical documentary with thriller overtones that is interrupted and shattered. The noise (ruido), beyond acoustic impact, becomes a difficulty of readability and narrative purity, a shock between languages, it is a synesthetic hum that hacks vision and makes it erotic. All the underwater sequences have been filmed in underwater urban areas where, paradoxically, the electric rays Torpedo torpedo live. These areas, which the artist calls 'postpunk', are in constant urban transformation. From the maritime works for the extension of the breakwater of San Sebastián beach in Barcelona, ??with a metal crane that launches concrete buckets, passing through the entire post-industrial area between the mouth of the Besós river, Sant Adrià, until reaching the Pont del Petroli in Badalona, ??whose pillars were knocked down by the storm Gloria. Waste and underwater architecture reappropriated by different beings. The film has been an alibi to weave networks of work and methodological research with scientists, divers and other artists around issues of somatic attention, perception, vulnerability and resistance.

SILVIA ZAYAS (León, Spain 1978). She is a luso-spanish artist. Her work is situated at the limits of live arts, video and choreography. She investigates the creation of homemade, rudimentary and low-tech devices for making live films. Her work questions ways of filming “from a distance.” For this she moves away from the usual “hand-eye” relationship and tries to legitimize the sensitive possibilities of an amateur, vulnerable, sick, thuggish, hidden, punk and also z-series body... Her most relevant works are: the live film São Tomé Revisitado (2012) in collaboration with her mother Isabel Serra; Parallax (2016), a stage piece for light and sound; the circular films The Boogie-Woogie Ghost (2018) and Puebla (2021) together with María Jerez; Talking pictures (2018) with Esperanza Collado; the "cinema without film" projects Brilliant Corners (2020) and Brillante (2020-2022), both within the Orquestina de Pigmeos collective; the solo exhibition ê (2021), or the recent film ruido ê (the film) (2023). She belongs to the collective office of research in live arts Dorothy Michaels. Recently finishes the doctoral thesis Counterdispositives between cinema and the performing arts: ghosts, diffractions, holes and other creatures (2023). UCLM, Cuenca (Spain). Her work has been shown in national and international biennials, festivals and institutions and also in non-institutional places, markets, squares, schools...