../_ HAUS DER KULTUREN DER WELT
FREE ENTRANCE. John-Foster-Dulles-Allee 10, 10557 Berlin. S-Bahn : Hauptbahnhof, lines S5, S7, S9, S75 / bus 100 bis HdKdW

[FORUM]


2nd to 4th of July | July 5th | July 6th

2-4 JULY
14:00 > 16:00


Each day, a professional from France or Germany will present his or her work within a structure or institution, and will transmit practical information and ideas on questions linked to the production and distribution of works of art.
The presentations will be followed by a discussion and a meal with the participating artists.
This forum will also provide a chance to witness the differences and similarities between the situations in France and Germany, and will therefore take on a Franco-German tone.

 
 
 
 

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../_ HAUS DER KULTUREN DER WELT
FREE ENTRANCE. John-Foster-Dulles-Allee 10, 10557 Berlin. S-Bahn : Hauptbahnhof, lines S5, S7, S9, S75 / bus 100 bis HdKdW

[DISCUSSION PANEL]


2nd to 4th of July | July 5th | July 6th

SATURDAY, JULY 5 & SUNDAY, JULY 6

Fluctuating boundaries between visual arts and cinema
On the stakes, questions, and problems connected to programming using new audiovisual forms, between the domains of contemporary art and cinema.
Now that museums and centers for contemporary art are opening up to cinema, and now that many visual artists appropriate, question and integrate cinema and its codes into their work, what are the relationships between the domain of cinema and new, contemporary audiovisual forms ?
More and more spaces for cinematic broadcasting have been using the work of visual artists in their programming, as well as that of videofilm makers, who are linked more to the visual arts than to the domain of cinema. From a theoretical viewpoint, we must ask, why take these directions in programming, and from a practical one, what are or might be the results of such choices ? Both for the public and the critics’ reception, and for the production itself ?
Two debates will lead us to confront these questions, from two different or complementary angles, where each participant will bring a specific perspective connected to his/her life or professional experience.
The first debate will provide a chance to observe similarities and differences between the situations in Germany and France, and will thus take on a more Franco-German tone.


SATURDAY, JULY 5
14:00 > 16:00

1st DISCUSSION PANEL

Pierre-Nicolas Combe - Kino Entrepôt
Programming director, distributor, member of the network Europa Cinema - Paris, France
www.lentrepot.fr

Lars Henrik Gass - Internationale Kurtzfilmtage Oberhausen
Festival director, curator - Oberhausen, Germany
www.kurzfilmtage.de

Géraldine Gomez - Centre Pompidou
Curator - Paris, France
www.centrepompidou.fr

Valerie Smith - Haus der Kulturen der Welt
Head of Visual Arts, film and media Department - Berlin, Germany
www.hkw.de

Nicolas Wackerbarth - Filmzeitschrift Revolver
Filmmaker and member of the editor board of the film revue Revolver - Berlin, Germany
www.revolver-film.de

 
 
 
 

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../_ HAUS DER KULTUREN DER WELT
FREE ENTRANCE. John-Foster-Dulles-Allee 10, 10557 Berlin. S-Bahn : Hauptbahnhof, lines S5, S7, S9, S75 / bus 100 bis HdKdW

[DISCUSSION PANEL]


2nd to 4th of July | July 5th | July 6th

SATURDAY, JULY 5 & SUNDAY, JULY 6

Fluctuating boundaries between visual arts and cinema
On the stakes, questions, and problems connected to programming using new audiovisual forms, between the domains of contemporary art and cinema.
Now that museums and centers for contemporary art are opening up to cinema, and now that many visual artists appropriate, question and integrate cinema and its codes into their work, what are the relationships between the domain of cinema and new, contemporary audiovisual forms ?
More and more spaces for cinematic broadcasting have been using the work of visual artists in their programming, as well as that of videofilm makers, who are linked more to the visual arts than to the domain of cinema. From a theoretical viewpoint, we must ask, why take these directions in programming, and from a practical one, what are or might be the results of such choices ? Both for the public and the critics’ reception, and for the production itself ?
Two debates will lead us to confront these questions, from two different or complementary angles, where each participant will bring a specific perspective connected to his/her life or professional experience.
The first debate will provide a chance to observe similarities and differences between the situations in Germany and France, and will thus take on a more Franco-German tone.


SUNDAY, JULY 6th

14:00 > 16:00

2nd DISCUSSION PANEL

Cabello/Carceller
Artists, writers, curators - Madrid, Spain

Eulàlia Iglesias - Les Cahiers du Cinéma España
Member of the redaction board, film critic - Madrid, Spain
www.caimanediciones.es

Angela Martínez Garcia - CCCB Centro de Cultura Contemporànea de Barcelona
Head of the Audiovisual and Multimedia Section - Barcelona, Spain
www.cccb.org

Franco Marinotti - PLAY platform for film & video
Director - Lugano - Switzerland
www.twoogroup.com

Maria-Kristiina Soomre - Contemporary Art Museum of Estonia
Curator at the Kumu Art Museum,- Tallinn, Estonia
www.ekm.ee/kumu

 
 
 

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1st - 6th OF JULY 2007
HAUS DER KULTUREN DER WELT

SCREENINGS
16:00 18:00 20:00 22:00
To read the detailled program, click on the left menu

DEBATES, FORUM

2nd-4th of July
Saturday, July 5th
Sunday, July 6th

VIDEOSCREENINGS
• 1st - 6th of July

VIDEO LIBRARY
• 
2nd - 6th of July
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