Catalogue > At random

Honeycomb is the name of a technique used in facade restoration of marble. In Denmark several buildings worthy of preservation are covered with marble from Greenland, extracted during the interwar period (1930s). Among other buildings is Overformynderiet in Copenhagen.  In the work Honeycomb Image/Archive Cladding, visual artists Eva la Cour and Tinne Zenner juxtapose their own film recordings following the renovation of Overformynderiet in Copenhagen (2019) with Jette Bang’s film recordings from the marble mine in Maarmorilik (1938). The soundscape composed by Alexander Holm, utilises field and contact microphone recordings from the exterior and interior location of Overformynderiet (2021).  Through an interplay of image, sound and text, the material facade of Overformynderiet is not simply rendered visible as image. Rather, Honeycomb Image/Archive Cladding speculates on the production of images in general, considered as situated layers of geopolitical relations. Not least historical and colonial relations between Greenland and Denmark.

Tinne Zenner is a visual artist, filmmaker and programmer based in Copenhagen. She holds an MFA from The Royal Danish Academy of Fine Arts (2016). Working with analogue film, 3D renderings and spatial installation, her work moves between the cinema and exhibition space while exploring the structures, in which layers of history, politics and collective memory are embedded. In recent years, her work has been actively and critically engaged with the physical and cultural traces of the Danish colonial past and present in Greenland. Her films have been shown at a number of international film festivals including New York Film Festival, CPH:DOX, Courtisane, Oberhausen, EMAF, Rencontres Internationales Paris/Berlin, Image Forum Tokyo and EXiS, and her installation work exhibited at museums and galleries internationally. Zenner is a member of the film collectives Sharna Pax and Terrassen, both engaging with the social life of film, and works as a programmer for EMAF - European Media Arts Festival. She is currently in production of her upcoming solo-exhibition (Im)material Extraction opening at Vermilion Sands, Copenhagen in November 2023. Eva la Cour is an artist and researcher, interested in temporal and relational forms of the image and image-practices. Drawing inspiration from strategies of montage, while using both analogue film, video, text and display aesthetic elements, her spatial work and performative demonstrations are always effects of lenghty and multifaceted investigative processes. Out of a fundamental dissatisfaction with the representational discourse, and its historical and colonial legacy, la Cour has written the book Geo-Aesthetical Discontent: Svalbard, the Guide and Post-future Essayism - the result of a practice-based artistic PhD project, obtained from HDK-Valand (the Faculty of Fine, Applied and Performing Arts, Gothenburg University, SE). Her individual and collaborative works have been exhibited, screened, and performed internationally, often transgressing spaces of film culture, academic research, and fine art. La Cour holds a MA in Visual and Media Anthropology (Freie Universität Berlin, DE) as well as in Fine Arts (The Jutland Art Academy, DK), and is currently a postdoctoral fellow at Art as Forum, Department of Art and Cultural Studies, University of Copenhagen.