Catalogue > Liste par artiste
Parcourez la liste complète des artistes présentés dans le cadre des Rencontres Internationales depuis 2004. Utilisez le filtre alphabétique pour affiner vos recherches.  mise à jours en cours 
Matt wolf
Catalogue : 2005I Feel Love | Doc. expérimental | betaSP | couleur | 14:30 | USA | 2004
Matt wolf
I Feel Love
Doc. expérimental | betaSP | couleur | 14:30 | USA | 2004

En 1997,Andrew Cunanan fut surnommé le "serial killer gay" après assassiné au couturier de mode Gianni Versace.I Feel Love raconte l'histoire de Joel Manero, une victime fictive de Cunanan dont les accrochages avec le tueur l?entraînent vers son inattendue célébrité médiatique. Joel est femme de chambre dans un hotel new-yorkais. Pendant son service, Joel se met à fouiller dans les affaires du client de l?hôtel, Andrew Cunanan et devient l'hôtage et l'objet de l'affection bizarre de celui-ci.Par un curieux hasard, Joel et Andrew se rendent compte qu'ils étaient amis dans leur enfance dans la ville ouvrière National City en Californie. Ainsi, en raison de la nostalgie de Cunanan, la vie de Joel est épargnée.


Matt Wolf est un réalisateur et écrivain basé à Brooklyn, New York. Ses clips ont fait l'objet de projections dans des manifestations tels que le Chicago and and New York Underground Film Festival, Mix Festival, Cinematexas, New York, Toronto et les San Francsisco Gay and Lesbian Film Festivals, Viper Basel Competition, Walker Art Center ainsi que dans des festivals en Lituanie, Roumanie, Allemagne et Angleterre. "Golden Gums" a reçu le Premier Prix au Black Maria Film and Video Festival en 2003. Ses films ont fait l'objet de critiques dans le Village Voice et le New York Times.Matt a fréquenté le New York University's Institute of Film and Television où il a reçu le W.T.C Johnson Felloship. Actuellement, Matt est "Video Fellow" pour le groupe artistique publique Creative Time" à New York.

Steven woloshen
Catalogue : 2018Father Knows Father Best | Film expérimental | 35mm | noir et blanc | 5:56 | Canada | 2018
Steven woloshen
Father Knows Father Best
Film expérimental | 35mm | noir et blanc | 5:56 | Canada | 2018

Unlike television comedies, many of our family conversations don`t make sense, but when my Father talks, we struggle to understand. U

Steven Woloshen was born in Montreal, Canada in 1960. For more than 30 years, he has passionately created over 50 award-winning, abstract films and time-based installations for festivals, galleries and museums. Twice nominated for Canada`s Governor General`s award, he has received numerous research and creation grants and, most recently, was awarded the 2016 René Jodoin lifetime achievement award, 2015 Wiesbaden Lifetime Achievement Award. Woloshen is a teacher, film conservationist, animator, craftsman and the author of two books, Recipes for Reconstruction: The Cookbook for the Frugal Filmmaker (2010), a hands-on manual for decay, renewal and other handmade, analogue film techniques, and Scratch, Crackle & Pop! A Whole Grains Approach to Making Films without a Camera (2015). Under his own banner, Scratchatopia, Woloshen has hosted solo retrospectives and taught handmade filmmaking techniques in Argentina, Morocco, USA, Slovenia, Australia, France, Great Britain, Greece, Portugal, Spain, Slovakia, Poland, Mexico, Serbia, Hungary, Austria and Canada.

Paul wong
Catalogue : 2012VIGIL 5.4 | Vidéo | hdv | | 8:15 | Canada | 2010
Paul wong
VIGIL 5.4
Vidéo | hdv | | 8:15 | Canada | 2010

Documentation of Rebecca Belmore?s performance VIGIL from the 2002 Talking Stick Festival in Vancouver . Performing on a street corner in the Downtown Eastside, Belmore commemorates the lives of missing and murdered aboriginal women who have dissapeared from the streets of Vancouver.

Born in Glasgow, Scotland in 1964 to Chinese parents from Malaysia and Mauritius. Trained as a dancer for 3 years at the Central School of Ballet. Danced with Swedish ballet companies, London Festival Ballet, Hong Kong Ballet, Union Dance Company, The Featherstonehaughs, Lloyd Newson etc etc. Freelanced as a dancer and extra/actor in various productions. Trained as a journalist at the London College of Printing. Regular writer for City Limits, SiYu Chinese Times, Dance Theatre Journal, The Independent, Socialist etc Researcher and producer at London Weekend Television. Assistant Producer at the BBC.

Owen Eric wood, owen eric wood
Catalogue : 2013This Man | Film expérimental | 0 | couleur | 2:14 | Canada | 2012
Owen Eric wood , owen eric wood
This Man
Film expérimental | 0 | couleur | 2:14 | Canada | 2012

Laurel woodcock
Fred worden
Catalogue : 2011Possessed | Création numérique | hdv | noir et blanc | 9:20 | USA | 2010
Fred worden
Possessed
Création numérique | hdv | noir et blanc | 9:20 | USA | 2010

With my film film, Possessed. I had a strong, slightly illicit, urge to commandeer the original train sequence from the 1931 film Possessed and make it move in such a way as to give the girl (Joan Crawford) what she thought she wanted: a position on the inside. To do that, I had to create my own (all encompassing) vehicle. By my count, the original sequence provides three orders of motion: the motion (and stillness) of the passengers on the train, the motion of the train itself, and finally the motion of the girl (Joan) outside of the train. By injecting my own additional level of motion, I was able to move Joan from her position on the outside looking in (played melodramatically as desire?s longing for the just-out-of-reach) to a position inside, looking around (played as pure vision). But maybe that?s really just my fanciful imagining and, as such, pretty much situates me in Joan?s original position: projecting desire onto a handy passing vehicle. In the end, at least this much is true: we both love staring into this passing train. In fact, we never seem to tire of it.

Fred Worden has been making experimental film since the mid 1970?s. His films have been shown in the 2002 Whitney Biennial, The Museum of Modern Art , The Centre Pompidou, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, The Hong Kong International Film Festival and numerous other experimental film venues.

Jason workman
Catalogue : 2008Untitled Elsewhere | Performance | dv | couleur | 0:36 | Nouvelle-Zélande | USA | 2008
Jason workman
Untitled Elsewhere
Performance | dv | couleur | 0:36 | Nouvelle-Zélande | USA | 2008

Workman prend une voie peu orthodoxe, en bas de l'escalier ? en partie « parkour » (art du déplacement), en partie graffiti physiques.


Le travail de l'artiste consiste principalement à introduire des gestes, des textes et des objets dans l'espace public. L'artiste s'intéresse à l?introduction subtile d?interventions minimales et calmes dans le flux de la vie quotidienne. Il essaie de ne pas différencier l?« art-pratique » de la « pratique de la vie ». À cette fin, il a créé des interventions sur son lieu de travail, dans des espaces de vente au détail, dans les trains, les parcs, sur le trottoir. Ces interventions sont poétiques, éphémères et souvent à petite échelle, c?est pourquoi, il arrive que seul un petit nombre de gens les remarque. Le souhait de l?artiste est de réussir à obtenir un sourire, une pause, un moment de désorientation chez ce petit nombre de personnes. Son travail est intuitif et exploratoire. Il cherche des opportunités par lesquelles s?engager, en jouant, dans les aspects de notre réalité quotidienne.

Catalogue : 2009Stateless Gestures | Vidéo | dv | couleur | 1:35 | Nouvelle-Zélande | USA | 2009
Jason workman
Stateless Gestures
Vidéo | dv | couleur | 1:35 | Nouvelle-Zélande | USA | 2009

Two associates undertake some impromptu physical experimentation on the streets of Greensboro, North Carolina. 1 part contact improv, 1 part parkour, 8 parts play.

Jason Workman b1970 New Zealand Lives Melbourne, Australia Workman is an artist,writer and poet. Workman`s film, writing and physical interventions focus on public space as a field of play and everyday creativity. www.everydaypress.net

Run wrake
Catalogue : 2006Rabbit | Animation | dv | couleur | 8:30 | Royaume-Uni | 2005
Run wrake
Rabbit
Animation | dv | couleur | 8:30 | Royaume-Uni | 2005

Quand un petit garçon et une petite fille trouvent une idole dans l`estomac d`un lapin, ils reçoivent de grandes richesses, mais pour combien de temps ?


Run vit à Londres et travaille en tant qu'animateur indépendant depuis 1990, année où il a obtenu sa maîtrise en animation au Royal College of Art. Il a produit plusieurs court-métrages auto-produits ainsi que des publicités et des vidéo-clips (notamment pour Howie B and The Chartalans). Il a fourni des illustrations au magazine NME pendant plusieurs années.

Timo wright
Catalogue : 2012Event | Vidéo | hdv | couleur | 3:47 | Finlande | 2011
Timo wright
Event
Vidéo | hdv | couleur | 3:47 | Finlande | 2011

EVENT is a spin-off short film from Heli Meklin`s performance "Simple Events". What goes up, must come down.

Timo Wright is a media artist and documentary film director. His works are mostly political, ranging from photographing everything he owns to ?racist? computers. Recently he has been collaborating with several prominent choreographers working alongside them bringing new computer based content and interaction into dance performances. www.timowright.com

Catalogue : 2018Ex Nihilo | Doc. expérimental | 4k | noir et blanc | 8:20 | Finlande | 2018
Timo wright
Ex Nihilo
Doc. expérimental | 4k | noir et blanc | 8:20 | Finlande | 2018

Ex Nihilo is an experimental short documentary about life, death and our attempts to control them. It tells the stories of an advanced humanoid robot, a cryonics facility, where the brains of deceased people are held and of a ninternational seed vault, where crop seed from around the world are held frozen. The first film is about one of the most advanced humanoid robots, HUBO. It can walk on uneven terrain, drive a vehicle and operate different tools. The second film is about Oregon Cryonics, a cryonics organisation in Salem, Oregon, USA. At their facility human brains of deceased people are kept at very low temperatures. The third film is about the Svalbard Global Seed Vault, which s situated on the island of Spitsbergen midway between Norway and the North Pole. The vault holds seeds of more than 4000 different plant species at '18 °C. The crates of seeds from all around the world are kept side-by-side deep inside the frozen vault.

Timo Wright is a media artist based in Helsinki, Finland. Wright has graduated with MA degree from the Aalto University School of Art and Design in Helsinki in 2014. He has participated in domestic and international exhibitions since the mid 2000s including Kunsthall Charlottenborg (2017&2018), Samuelis Baumgarte Galerie (2017), Galerie Anhava (2016), Helsinki Art Museum (2013), Helsinki Design Museum (2012), Amos Anderson Art Museum (2012), Kunsthalle Helsinki (2012, 2010, 2009) and Helsinki Art Museum's Kluuvi Gallery (2012), as well as festivals such as IDFA, Slamdance, Nordisk Panorama, International Film Festival Rotterdam and Japan Media Arts Festival. His films have been shown at over 70 festivals and exhibitions worldwide.

Chi-yu wu
Catalogue : 2020Hominins | Vidéo | mov | couleur | 16:4 | Taiwan | 2019
Chi-yu wu
Hominins
Vidéo | mov | couleur | 16:4 | Taiwan | 2019

The conception of the work is based largely on prehistoric cave paintings on Sulawesi Island, as well as fossils and remains undiscovered or still undergoing excavation in East Asia, Southeast Asia and other regions. The creation of cave paintings marks the dawn of the intelligent creature discovering images for immersive experience. Species of different lineages can develop similar functions because of being in similar environments— what we call convergent evolution; different ethnicity groups, too, are able to develop consistent cognitive ability in similar spaces. As one of the oldest cave paintings, the painting at Leang-Leang cave had witnessed the beginning of consciousness, which happened across different locations in human history. It illustrates the common ground of humans and how they gradually evolve to share more similarities.

Wu Chi-Yu born in 1986, is an artist based in Taipei, Taiwan. Chi-Yu’s work has long been focusing on re-establishing the connections among humans, things, animals, and the ruined world left by technic capitalism. His practice revolves around the moving image, looking for contemporary narratives in lost memory through the reproducing of oral history and myths. He is also involved in different collaboration projects of installation, video installation, and performance.   The exhibitions he once participated include: The Ouroboros (TheCube Project Space, Taipei/ Casino Luxembourg, 2019); Serious Games (HOW Art Museum, Shanghai, 2019); 12th Shanghai Biennale: Proregress (Power Station of Art, Shanghai, 2018); Trans-Justice (MOCA, Taipei, 2018); Crush (Para Site, Hong Kong, 2018); Taipei Biennial (Taipei Fine Arts Museum, Taipei, 2016); The 2nd CAFAM Future Exhibition (CAFA Art Museum, Beijing 2015). His films have been screened at Short Film Program-Art Basel Hong Kong (2019); Beijing International Short Film Festival (2017); EXiS Festival (Seoul, 2017); Arkipel Festival (Jakarta, 2016). He had a solo show: 91 Square Meters of Time (TKG+ Project, Taipei, 2017) and was a resident artist at Rijksakademie van beeldende kunsten (2014-2015).

Chia-yun wu
Catalogue : 2020Darkness Within Darkness | Vidéo expérimentale | mov | couleur et n&b | 6:30 | Taiwan | 2020
Chia-yun wu
Darkness Within Darkness
Vidéo expérimentale | mov | couleur et n&b | 6:30 | Taiwan | 2020

The work is a paper made video composed of digital image and physical material that delves into the essence of moving image. I divided the digital video into the film ratio of 24-frame-per-second. Through the process of digital transforming in printing and scanning, the re-composed video is in between movement and stillness, virtual and concrete, digital and material. The contrasts have thus been thus related to the Oriental philosophy of Taoism, "one body with two sides". With the video, I was trying to visualize the abstract natural law which denies description. Tao is empty yet inexhaustible, hidden but always present, a way of life yet not a locatable truth. darkness within darkness seeks, in the same way, to be comprises of the very contrast between the established (material) and the abstract (digital) through revealing the invisible time in image.

Wu Chia-Yun (b.1988, Taiwan) received an MA degree in Visual Communication from the Royal College of Art (London) and an MFA degree in Motion Picture from the National Taiwan University of Arts (Taipei). She is an artist and filmmaker based in Taipei, her work is a mixture of image, video, mixed media and installation, focusing on the topics of “human condition” and “the time of image”. Wu has been awarded as Emerging Artist Made in Taiwan by the Ministry of Culture (2017), First Prize of Kaohsiung Awards by the Kaohsiung Museum of Fine Arts (2019), and has had a solo exhibition at the National Taiwan Museum of Fine Arts (2019). Her works have also been internationally selected to the European Media Art Festival (2020), The European Independent Film Channel (2015), Shanghai international Film Festival (2014).

wyrzykowski, rumas robert
Catalogue : 2012From Emotikon Project - ELVIS RROMANO | Vidéo | hdv | couleur | 16:7 | Pologne | 2011
wyrzykowski , rumas robert
From Emotikon Project - ELVIS RROMANO
Vidéo | hdv | couleur | 16:7 | Pologne | 2011

Full of feeling and cheerful meeting with Elvis Rromano, a teacher in a Gypsy school somewhere in the countryside of Romania, a fellow country of the European Union. He looks and dresses like Elvis Presley. A guitar and the evergreen songs of Elvis are his permanent companions. Giving an insight into the life of Gypsy-people`s in an untroubled manner, Elvis actually points out the crucial issues of Gypsy roots, European Union identity-politics, the social mobility of Gypsy and his own Otherness in European society. `Hello I am Elvis Rromano. Elvis Rromano means Gypsy Elvis, it?s because I sing Presley?s songs in the Gypsy language. I love what I do, and I do it with passion. I?m unique, I sing in Gypsy. Why? The old Gypsies love Elvis, but they don?t understand his lyrics, many of them don?t know English. So it was a gift for them. Elvis in my very own way, with my own words, in my language, in Gypsy. My lyrics are deeper, more serious. I sing about my roots and my feelings, my own life, as well as the life of the Gypsies. There?s one more reason. I discovered that Elvis was half-Gypsy, from his mother site`

Robert Rumas (b. 1966) ? visual artist and curator, associated with the current of critical art.; a graduate of Gdańsk Academy of Fine Arts; co-founder of Wyspa Gallery in Gdańsk. He creates installations, performances and actions in public space. His works use objects of religious cult, placing them in a non-religious context. His most famous projects include Termofory X 8 (Waterbottles X 8) and Manewry miejskie (City Maneouvers). Simultaneously to his artistic works he has been organizing space and set design in multimedia and theatre performances since 2004. He lives and works in Warsaw. Piotr Wyrzykowski alias Peter Style (b. 1968) - media artist, performer ans set designer. Studied interior architecture and media art at the Fine Arts Academy in Gdansk. He made his debut as a performer in 1990. In his practice he uses video, photography, Internet and sound - creating performances, installations, projects in public space, network projects and multimedia plays. Cofounder and artistic director of CUKT. The best known project of the group was ?Presidential Campaign of Wiktoria Cukt? that proposed a virtual candidate for the President of Poland. He`s work ?Beta Nassau? (1993) is in the collection of MoMA, New York. He lives and works in Gdansk & Kiev.

Luca wyss
Catalogue : 2011Eterno ritorno | Documentaire | hdv | couleur | 21:0 | France | Italie | 2010
Luca wyss
Eterno ritorno
Documentaire | hdv | couleur | 21:0 | France | Italie | 2010

Casarsa della Delizia, novembre 2010. Un voyage sur la tombe d`un cinéaste, la découverte de la terre du grand-père, un pays où l`on parle une langue locale; est-ce cela qui fait de moi un immigré? Les récits des lieux viennent se mêler à ceux portés par la mer. Mais la mer n`est pas un pays. "Je vais vers un pays que je ne connais pas. Mais je sais que ce pays est important. Il m?attire comme quelque chose d?indispensable. Mais un doute persiste. Ce voyage est la traversée d?une part de moi-même, à découvrir. Mais peut-être qu?en arrivant là-bas, il n?y aura rien. Rien d?autre à découvrir que le fascisme. Mais je ne parle pas de politique, je parle de la nécrose d?une pensée, de la confrontation avec un réel sans histoires, sans mythes."


Né en 1987 à Toulouse (France), Luca Wyss est un cinéaste basé à Paris. Il a étudié à l`Ecole National Supérieur d`Arts de Paris-Cergy. Depuis plusieurs années, il est membre de l`atelier de cinéma expérimental "L`ETNA", avant de fonder le collectif "Les inquiets" avec Félix Albert. Le collectif travaille autour de l?espace méditerranéen, dans le but de tisser des liens de sens et d`images entre les rives de cette mer. Ce travail a amené le collectif à filmer à Pristina (Kosovo), à Alger (Algérie), à Belgrade (Serbie), à Téhéran (Iran) dans une démarche hybride entre documentaire et art contemporain. En parallèle de ce travail de co-réalisation, Luca Wyss développe un travail d`expérimentation narrative, cherchant dans les récits mythiques et les témoignages personnels de nouvelles manières de percevoir l`espace du possible. Ce travail l`a amener à filmer à Beyrouth (Liban), à Toulouse (France), à Bienne (Suisse), à Cazarsa (Italie). Il cherche à faire du mythe une vision du réel. Son dernier film appartient à cette recherche.