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Screening/meeting _ Saturday 29 March 2003.
Free admission.
Saturday 29 March 2003 - from midnight
Cinéma Le Balzac - 1 rue Balzac, 75008 Paris - Métro: George-V



Programming details presented by the Rencontres Internationales Paris/Berlin:


Riccardo IACONO : Letters | Experimental film | super 8, 16mm, 35mm | color | 00:03:19 | Scotland / UK | 2000



A poem on light, on speed and memory. "Letters" is the result of a strict exploration of devices qualities and of the illusion power of painting, film and light. A assembly of time and space that, by a color, substances and forms transformation, recreates the visual experience fragmentation. Inspired by William Burroughs, Georges Bataille, Gaston Bachelard and Paul Virilo's writings, Riccardo IACONO studied painting at Glasgow School Art and electronic image at Duncan of Jordan College of Art. His works cover a range from abstract animation to live poetry, and performances in front of a camera or video installations.


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Benny NEMEROFSKY RAMSAY : Live to tell | Experimental video | dv | color | 00:06:30 | Germany, Canada / Canada | 2002



In "Live to hell", surveillance cameras become the audience of a choral interpreting a ballad by Madonna in the early 80's. Benny NEMEROFSKY RAMSAY is born in Montreal. Visual and media artist, he is based in Berlin and Toronto. His works were projected over Europe and Canada.


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Reynold REYNOLDS, Patrick JOLLEY : Burn Experimental film | 35mm | color | 00:10:00 | | USA Ireland | 2002



While a house is burning, its habitants focus all their attention on sentimental problems. Where a great number of literature and cinematographic contemporary works weight down on the family household dysfunctions, Reynold REYNOLDS and Patrick JOLLEY focus on the house image as an abnormal and curious inside. Their experimental films include themselves in absurd art continuity as did the avant-garde (Dada, surrealists…) Even if the domestic household is depicted as a worrisome place, even dangerous, we can find in those films a surprising black humor complementary element.




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