Catalogue > Liste par artiste
Browse the entire list of Rencontre Internationales artists since 2004. Use the alphabetical filter to refine your search.  update in progress  
Arnold pasquier
Catalogue : 2017O amor moderno | Vidéo | hdv | couleur | 8:52 | France | Brésil | 2017
Arnold pasquier
O amor moderno
Vidéo | hdv | couleur | 8:52 | France | Brésil | 2017

L'installation vidéo d'Arnold Pasquier fait partie d'une série qui vise à reflèter les conditions d'une expérience sentimentale en lien avec un paysage et à inventer la forme spectaculaire d'un amour contemporain. Deux paysages creusent une absence et révélent la possibilité d'une rencontre. D'une part, une sculpture monumentale couvre les ruines du village de Gibellina en Sicile, détruit par un tremblement de terre; d'autre part, une autoroute coupe irrémédiablement en deux un quartier d'immigrants italiens de la ville de Sao Paulo au Brésil. Ce cercueil blanc, ce moulage en béton débordant, offre une nouvelle scène pour exprimer - jour et nuit - un amour qui est en lui-même l'invention d'une forme d'amour.


Arnold Pasquier est né en 1968 à Paris. Dès ses études d’arts plastiques et de cinéma à l’Université Paris 1 Panthéon-Sorbonne, il réalise des essais en super 8 et vidéo dans lesquels il développe un univers de journaux filmés et de fictions. À vingt ans, il se rapproche de la danse contemporaine et collabore avec des chorégraphes en tant que documentariste et danseur. Ces expériences inaugurent la réalisation d’une oeuvre où la danse tient une place importante. En 1997, il intègre le Fresnoy, Studio national des arts contemporains. Arnold Pasquier est l’auteur de nombreux films, vidéos, documentaires, fictions, mises en scène de spectacles et émissions radiophoniques : son travail se dèveloppe au croisement de ces différentes disciplines. Ses films ont été présentés et primés dans de nombreux festivals de cinéma en France et à l’étranger (Festival du film de Locarno, Festival Côté Court à Pantin, Vidéodanse, Biennale de Busan, FIDMarseille, Rencontres Internationales Paris Berlin Madrid). En 2005, il est lauré d’une bourse Villa Médicis Hors les Murs et il réalise le film Celui qui aime a raison au Brésil, sorti en salle en 2006. Son film Notre amour est présenté en sélection officielle au Festival du film de Locarno en 2009. En 2012, il présente un court métrage intitulé L’Italie et, lauréat d’une résidence de réalisation du Festival Côté Court de Pantin, il achéve la réalisation d’un long métrage de fiction expérimentale, Si c’est une île, c’est la Sicile.

Arnold pasquier
Gregor passens
Catalogue : 2006Wake up | Vidéo expérimentale | dv | couleur | 5:18 | Allemagne | Argentine | 2005
Gregor passens
Wake up
Vidéo expérimentale | dv | couleur | 5:18 | Allemagne | Argentine | 2005

Dans le cratère d'un volcan à Catamarca, Argentine, un feu d'artifice est allumé à l'aube, à 4000 mètres d'altitude.


Gregor Passens Né en 1974, vit et travaille à Munich et Buenos Aires, Argentine. Il a étudié à l'académie des arts de Munich, où il faisait partie du cours du professeur Nikolaus Gerhart; diplôme (2002). Bourses d'études (sélection): 2002 - 2003 bourse annuelle du DAAD, Buenos Aires, Argentine 2005 Maison internationale des artistes Villa Concordia, Bamberg 2006 Bourse américaine de Bavière Expositions (sélection): 2003 ?Verboden op het Werk te komen? W 139 à la Brakke Grond,Amsterdam; IIème Biennale de Tirana, Albanien; 2004 STUK, Louvain, Belgique; ?Xtreme Houses? Lothringer 13, Munich + Halle 14 fondation Federkiel, Leipzig;Muslim Mulliqi Prize? The Kosova Art Gallery, Pristina; 2005 ?A parasite showing? k-forum, Vienne,+ ARGE Galerie, Bozen;; Buenos días Santiago ? an exhibition as expedition, Museo de Arte Contemporaneo (curateur attitrudes), Santiago du Chili; 2006 VIDEOTHEKA, Kunsthalle de Vienne; ?Triumph?, El Basilisco, Buenos Aires; Open Space, Art Cologne, Cologne

Vijai patchineelam
Catalogue : 2015Resistir o passado, ignorar o futuro e a incapacidade de conter o presente | Doc. expérimental | hdv | couleur | 28:2 | Brésil | Pays-Bas | 2015
Vijai patchineelam
Resistir o passado, ignorar o futuro e a incapacidade de conter o presente
Doc. expérimental | hdv | couleur | 28:2 | Brésil | Pays-Bas | 2015

The video Resist the past, ignore the future and the incapacity of containing the present (2015) begins with a reflection on the installation Equilibrium I, II, III (1977) by artist Carlos Zilio. In order to construct a sort of script in accordance with the variation of cuts present in the installation. Where wooden planks are placed horizontally along the floor and placed in equilibrium from cuts made by metal saws that remains inserted into the wood. The title Resist the past, ignore the future and the incapacity of containing the present is distributed throughout the video in three sequences. Each sequence searches in different subjects forms of political engagement outside or in parallel to the main activity and the tension that is generated regarding your area of action because of this engagement. This search does not result in a didactic video but through a conceptual approaches that seek to decentralize the subject / topic as a means of generating linguistic material around the moving image. The video begins showing the assembly of the work Equilibrium I, II, III at the Museum Rio de Janeiro. The second sequence puts the viewer in two different but related situations, the first in at the end of what appears to be a lecture where the speakers answer audience questions on engagement in a march or other forms of mass protest. Soon after the viewer is placed along side a protest march in which the viewer does not see the march itself but the change in the landscape. Ending with a interview where activist Mahmoud Keshavarz and Amin reflect on a advertisement campaign for an job vacancy at a immigration detention center in Sweden, and how this ad ironically uses mobility and cultural diversity as positive gains for the future employee. In collaboration with Marhmoud Keshavarz, Amin Parsa and Carlos Zilio.

Vijai Patchineelam, born in 1983 in the city of Niterói, Brazil. Holds a Master in Research in Arts and Design at Sint Lucas University College of Art and Design, Antwerp, Belgium; an MFA at Konstfack University College of Arts Crafts and Design, Stockholm, Sweden and a BA in Industrial Design at the Federal University of Rio de Janeiro, Brazil. Held a research position at the Jan van Eyck Academie, Maastricht, Netherlands.

Vijai patchineelam
Catalogue : 2014Part 2 | Vidéo | hdv | couleur | 15:31 | Brésil | 2014
Vijai patchineelam
Part 2
Vidéo | hdv | couleur | 15:31 | Brésil | 2014

Part 2 (2014) is a non-speech moving image work that puts into motion a succession of mostly nocturne images of an industrial landscape. Filmed in Jardim Canadá in the state of Minas Gerais (BRA), the project documents the material conditions on the ground of a once small rural town which has been radically industrialized in the last decade by the mining industry. The artist filmed several discarded objects and debris from several ad hoc landfills located in different sections of Jardim Canadá. Because of the region’s accelerated and under-planned transformation, it does not have a proper systemic waste management, and thus most of the trash and unwanted furniture of the inhabitants are thrown in vacant lots and at times set on fire. Part 2 follows the movement of a pack of street dogs at an eye level exploration of the landfills of Jardim Canadá.

Vijai Patchineelam (1983) was born in Brazil. He is a graduate from the School of Fine Arts at the Federal University of Rio de Janeiro, and a Master in Fine Arts at Konstfack University College of Stockholm, Sweden. Earlier this year he concluded a one-year research project at Jan van Eyck Academie in Maastricht, The Netherlands. Patchineelam mainly works with the mediums of video, photography and books. In 2013 he participated in the 18o Videobrasil Festival and opened two solo exhibitions in 2013. Recently the show Wild Attacks of Cynicism at Ignacio Liprandi Gallery in Buenos Aires, Argentina; and earlier that year the show Cut Corner at Seven Art Gallery in New Delhi, India.

Chinmoyi patel
Catalogue : 2010Chin Goes to Stansted | Vidéo | dv | couleur | 2:36 | Inde | Royaume-Uni | 2009
Chinmoyi patel
Chin Goes to Stansted
Vidéo | dv | couleur | 2:36 | Inde | Royaume-Uni | 2009

Catalogue : 2014Oasis Grande-Tranquility | Vidéo | hdv | couleur | 3:57 | Inde | 2013
Chinmoyi patel
Oasis Grande-Tranquility
Vidéo | hdv | couleur | 3:57 | Inde | 2013

This is the first in an ongoing series of explorations on the changing rhythms of urban life, especially in India. In the era of `development` and `progress`, where a predominant and aspirational middle class is shaping the face of India, this work explores the role of the burgeoning construction industry and westernized concepts of `ideal`, `weekend` homes propagated by it. It is shot at a model/sample row house at a popular hillside holiday destination near Mumbai. It mimics the luxurious fantasy furnished and perpetuated by advertising. However, sudden movements or breaks serve to disrupt and make one question this fantasy.

Chinmoyi Patel works primarily with new media and currently teaches part time at Department of Fine Arts, South Gujarat University, Surat, India. She graduated with an MFA from Goldsmiths, University of London in 2009. In 2013 she organised (with Emma Hunt) and participated in the Paradise Lodge International Artists Residency in Mumbai/Lonavala. She has been artist-in-residence at Ondarte, Mexico (2012); Changdong Art Studio, National Museum of Contemporary Art, Seoul (2011) and Green Papaya Art Projects, Manila, Philippines (2011). In 2011 she was a finalist for the Celeste Art Prize. She has participated in several screenings and exhibitions, including OMG! Elephant in the Room!, Galleria M, Calcutta (2014); The Moving Image Project, UK (2014); Continuum, Video Art Network, Lagos (2013)/Belgrade Art Fair, Serbia (2012); Paradise Lodge @ Studio X, Mumbai (2013); AR Festival, Paju, South Korea (2012); “Shall We?” (Solo Project), Green Papaya Art Projects, Manila (2011); Rencontres Internationales Paris/Berlin/Madrid 2010, Centre Pompidou, Paris; ”Home”, Air Space Gallery, Stoke-on-Trent, UK (2010); Bloomberg New Contemporaries, Rochelle School, London/Cornerhouse Gallery, Manchester (2009).

Sara pathirane
Catalogue : 2018Holding Clouds | Vidéo | hdv | couleur | 9:40 | Finlande | 2018
Sara pathirane
Holding Clouds
Vidéo | hdv | couleur | 9:40 | Finlande | 2018

Holdind Clouds depicts a choreography on Huangshan the Yellow Mountain in China. The mount Huang is famous from the old chinese shan shui – mountain-water ink paintings. Still now the landscape gathers people to witness it. The view itself is often covered in clouds, only a peak of a mountain hovering in the sight. Still a thousand photos are taken there daily. People pose for photos infront of the landscape. The rythm of gestures done by the visitors, the reaching out, pointing, holding the air and touching the mountains formulates a choreography for the mountain. Chilean composer Fernando Munizag’s piece Mi última palabra china (My last Chinese word) binds the poses into a broken language, an attemp to get hold of tones and diftongs hidden in the grayscale of the moving clouds. The music is based on discoveries Munizaga made in the field of phonetic analysis of Mandarin language. There is a constant movement, with rather simple materials and gestures. All the harmony of the piece is based on strings’ natural harmonics.

Sara Pathirane’s work deals with the tradition of landscape painting and the problematics of taking a picture. As shooting locations for her videos she uses nature areas known from movies and paintings, shifting between the everyday and the fiction. She works with video, painting and live-installations. Pathirane lives and works in Helsinki. She has studied in the Finnish Academy of Fine Arts and Accademia Albertina in Torino. Her works have been shown for example at Taiga-Space, Saint-Petersburg (2016), Colombo Art Biennale (2016) and Kiasma (2010, 2013).

Lois patiÑo
Catalogue : 2012NA VIBRACIÓN | Doc. expérimental | hdv | couleur | 12:30 | Espagne | Islande | 2012
Lois patiÑo
NA VIBRACIÓN
Doc. expérimental | hdv | couleur | 12:30 | Espagne | Islande | 2012

A poetic journey through a primitive landscape, where the processes of formation of the Earth are present. The earth beats and vibrates. The human being, insignificant, is overwhelmed and reduced to a spectator of this natural force.

Lois Patiño was born in Vigo (Spain) in 1983. He combined his Psychology studies in the Complutense University of Madrid with cinema studies at TAI School. He followed his cinema education at NYFA, in New York and with the Master in Cinema Documentary at Pompeu Fabra University in Barcelona. He has developed courses of videocreation under the guidance of Katherin Sieverding and different ateliers with artist and filmmakers such as Joan Jonas, Donald Kuspit, Pedro Costa, Víctor Erice, José Luis Guerín and Daniel Canogar.

Catalogue : 2011Ecos del bosque | Doc. expérimental | | couleur | 6:30 | Espagne | 2011
Lois patiÑo
Ecos del bosque
Doc. expérimental | | couleur | 6:30 | Espagne | 2011

From a conception of the forest as a mythical space we observe this landscape being transformed by the woodcutters. The fog´s atmosphere emphasize the idea of the spiritual linked to the Nature. The tree as a sacred symbol. The man is here observed from the distance, we keep the point of view of the forest being cut down. This suggest a reflection about the relationship between man and landscape. From a poetic look we try to find the revelation in the landscape, a perceptive look to the process of changing in the landscape. The woodcutters cut down one by one the tall trees as a mechanical action. Again the contrast of the mythical thought inspired by the Nature and the idea of the scientist progress by the machines.

LOIS PATIÑO (b. Spain, 1983) Lois Patiño studied Psychology at the Universidad Complutense of Madrid, and cinema at the NYFA of New York and the UdK of Berlin. He studied documentary cinema in Barcelona at the UPF. He has done workshops with directors and artists such as Pedro Costa, Joan Jonas, José Luis Guerín or Víctor Erice. He has worked with the filmmaker Mercedes Álvarez in her second film Future´s´Market. His works around identity and landcape have been exhibited in places such as Reina Sofía, Centre Georges Pompidou, CGAC, Casa Encendida, CGAI... and in festivals (Documenta Madrid, Festival de Las Palmas, Jihlava festival, VideoFormes, Big Screen Project New York...)

Catalogue : 2010PAISAJE-DISTANCIA | Vidéo expérimentale | dv | couleur | 14:0 | Espagne | 2010
Lois patiÑo
PAISAJE-DISTANCIA
Vidéo expérimentale | dv | couleur | 14:0 | Espagne | 2010

Distance-Landscape. The connection between observer and landscape at the contemplative experience. From the crossing of the proximity and the remoteness appears the notion of aura, following Walter Benjamin´s theories. The gaze is here building the landscape from the necessary distance. Defining it´s limits withLois Patiño Filmmaker and videoartist born in Vigo (España) in 1983. Currently he lives and works at Madrid. During his university years he combine psicolgy and cinema studies at Madrid. Subsequently he move to NY and Berlin to complety his training on cinema direction and videoart at the NYFA and the UdK respectively. In Barcelona he made a master´s degree in documentary films at the UpF. He have done workshops with filmmakers as Víctor Erice, Jose Luis Guerín, Isaki Lacuesta... and artists as Joan jonas, Bill Viola or Donald Kuspit. He collaborate with the cinema director Mercedes Álvarez in her second film. the total continuity of the Nature. An observer submerged in the trip of the look around the landscape. Resting the gaze on the details that makes up it´s totally. Focusing, approaching the look to the center of the image and coming back again with distance. In this doble way we aproach to the notion of aura.

Lois Patiño Filmmaker and videoartist born in Vigo (España) in 1983. Currently he lives and works at Madrid. During his university years he combine psicolgy and cinema studies at Madrid. Subsequently he move to NY and Berlin to complety his training on cinema direction and videoart at the NYFA and the UdK respectively. In Barcelona he made a master´s degree in documentary films at the UpF. He have done workshops with filmmakers as Víctor Erice, Jose Luis Guerín, Isaki Lacuesta... and artists as Joan jonas, Bill Viola or Donald Kuspit. He collaborate with the cinema director Mercedes Álvarez in her second film.

Catalogue : 2013Montaña en sombra | Doc. expérimental | | couleur | 14:0 | Espagne | 2012
Lois patiÑo
Montaña en sombra
Doc. expérimental | | couleur | 14:0 | Espagne | 2012

A poetic view into the relationship of immensity, between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a tactile experience.

Lois Patiño was born in Vigo (Spain) in 1983. He combined his Psychology studies in the Complutense University of Madrid with cinema studies at TAI School. He followed his cinema education at NYFA, in New York and with the Master in Cinema Documentary at Pompeu Fabra University in Barcelona. He has developed courses of videocreation in the UdK of Berlin, and in different ateliers with artist and filmmakers such as Joan Jonas, Donald Kuspit, Pedro Costa, Víctor Erice, José Luis Guerín or Daniel Canogar. He has worked in collaboration with the director Mercedes Álvarez in her second feature film ?Futures Market?. His works have been shown in art centres screens such as Centro Cultura San Martín (Buenos Aires), Casa Encendida (Madrid), MARCO (Vigo), Luis Seoane Foundation(A Coruña)... and in international festivals as Locarno, Rotterdam, New York Film Festival, BAFICI, Oberhausen, Rome, Vila do Conde, Media City, Viennale, Clermont-Ferrand, Punto de Vista... With his work "Mountain in Shadow" won a Prize at the Oberhausen IFF, and at the Locarno IFF he recieved the prize for the best emerging director with his work "Costa da Morte", among others.

Ranko paukovic
Catalogue : 201890 Seconds in North Korea | Doc. expérimental | hdv | couleur | 14:57 | Croatie | 0
Ranko paukovic
90 Seconds in North Korea
Doc. expérimental | hdv | couleur | 14:57 | Croatie | 0

How do you shoot a documentary when you know that filming is not allowed? In 90 Seconds in North Korea, Ranko Paukovic filmed in slow motion, shooting secretly in 2-second intervals on a hi-speed camera that everyone else around him believed was an ordinary tourist stills camera. Each 2-second fragment created 20 seconds of slow motion footage. The result is a dreamlike yet breathtakingly normal montage of everyday street, road and beach life in a state that strictly controls what outsiders are allowed to see. A child plays with a toy car in the park, adults enjoy a game of cards in the park's picnic area; trucks drive along an empty road, the rays of the setting sun lend warmth to lush countryside, and a shower of rain falls on the streets of Pyongyang… As it was impossible to record any interviews or ambient sound, the soundtrack features a haunting and evocative sound design composed by the director, an accomplished sound editor. The pragmatic, necessary decision to shoot in slow motion lends the film a poetic quality: in Ranko's own words, "the form is born out of need".

Ranko Paukovic studied film at the Academy of Dramatic Art in his hometown of Zagreb, Croatia. After graduating, he worked as an assistant editor on large international co-productions. He moved to The Netherlands in 1991 and worked as a sound editor with prominent Dutch directors. In 1993 he set up his own sound studio, Editson, specialising in sound design, sound editing and film mixing for artistically ambitious projects. Still based in Amsterdam, Ranko is now in demand internationally. He has built up an impressive back catalogue of work including feature films, high-end television drama and documentaries. A few years ago, he made his debut as a director with the feature-length documentary Bijela Kuca (White House), about the unique white stone found on the island of Brac, Croatia and the people who earn a living from quarrying it. White House was shown at several international film festivals and broadcast by Croatian national television (HRT) and Al-Jazeera Balkans. His last documentary "The End of Darkness" about the last European female mine workers just premiered at Al-Jazeera Balkans Docs in Sarajevo. The film was supported by the Croatian Film Fund (HAVC). Ranko is also a visiting professor for the University of Zagreb, where he teaches sound design.

Nova paul
Catalogue : 2015Still Light | Vidéo | 16mm | couleur | 6:35 | Nouvelle-Zélande | 2015
Nova paul
Still Light
Vidéo | 16mm | couleur | 6:35 | Nouvelle-Zélande | 2015

Six Artists respond to the work of Joanna Margaret Paul is a programme of short moving image works by Nova Paul, Rachel Shearer, Sonya Lacey, Miranda Parkes, Shannon Te Ao and the collective Popular Productions. A prolific film-maker, poet, photographer and painter, the work of Joanna Paul (1955-2003) quietly observed the intimate poetics of the domestic and the modest grace of her bucolic surroundings. This programme presents an ambitious range of new moving image commissions shot at home, in industrial space, nature and using a microscope within salt letter form – each film celebrating the resonance of Paul’s work and offering the catalyst for a collection of new work by a range of contemporary New Zealand artists.

Nova Paul teaches studio moving image and art theory in the Visual Arts Department. Her film-making practice draws from early cinema, experimental film histories and fourth wave film discourse to consider the poetics and politics of place, self-determinacy and the image and the role of story telling in talking back to neo-liberal hegemonies. Her writing practice has focused on lens-based media and its relationship to whenua (land). In 2008 she co-edited PLACE: Local Knowledge and New Media Practice (Cambridge Scholars Publishing), a book that examines how on how long-held attachments to place are transforming in the new media context. In 2012 she published Form Next to Form Next to Form (Dent De Leone, UK and Clouds, NZ) this artist book won the 2013 Most Beautiful Book in Australisia (Monash University, Australia) Nova Paul`s 16mm films have screened nationally and internationally in film festivals and gallery programmes. This is not Dying (2010) has screened at Recontres Internationale, George Pompidou Centre, France, (2011), Rotterdam International Film Festival, (2011), New Zealand International Film Festival, (2010) City Gallery Wellington, (2010). Pink and White Terraces has screened at Whitechapel Gallery (UK) and was selected by Whitechapel Gallery for Artists` Films International at the Venice Biennale in 2013. The film has toured to Ballroom Marfa (USA), Fundacion Proa (Argentina), GAMeC - Galleria d`Arte Moderna e Contemporanea (Italy), Henie Onstad Kunstsenter (Norway), The Institute for the Readjustment of Clocks at the Koç Foundation (Turkey) from 2009-2010. Pink and White Terraces premiered at the Telecom International Film Festival, (2006) and was Telecom Prospect New Art, City Gallery, Wellington, New Zealand, 2007. Other film commissions include Our Future is in the Air (2007) for Martini Shot; New Artists Show, Artspace, Auckland and the World of Interiors (2008) for New Zealand Film Archive, Wellington. Nova Paul is of Te Uri Ro Roi and Te Parawhau /Ngā Puhi descent.

Thomas paulot
Catalogue : 2018Le ciel des bêtes | Doc. expérimental | hdv | couleur | 35:49 | France | Suisse | 2018
Thomas paulot
Le ciel des bêtes
Doc. expérimental | hdv | couleur | 35:49 | France | Suisse | 2018

Le chasseur ardennais part à la recherche d’images nocturnes grâce à ses pièges photographiques. L’astrophysicien au milieu du désert, utilise ses télescopes géants pour sonder les fins fonds du cosmos. Tous deux, à travers leurs territoires et leurs images partent à la quête de nouveaux mythes.


Thomas Paulot est né à Paris en 1991. Il obtient un Bachelor en fine art à Central Saint Martins de Londres lors duquel il développe une pratique interdisciplinaire principalement autour d’installations, de vidéos et de constructions scénographiques. Il dirige en 2016 un atelier avec des mineurs pluri-exclus à Paris durant lequel il réalise un film Au début du chemin de notre vie. Il coréalise le film Stardom lors de l’atelier Grand voyage à Bombay en Octobre 2016. il coréalise en 2017, Anarchie à Buchillon dans le cadre d’un atelier avec la Manufacture de Lausanne. Il sera diplômé du Master cinéma ECAL/HEAD en 2018 avec son film, Le ciel des bêtes.

Kristina paustian, film
Catalogue : 2015ZAPLYV (ЗАПЛЫВ) | Doc. expérimental | hdv | couleur | 77:50 | Russie | Allemagne | 2015
Kristina paustian , film
ZAPLYV (ЗАПЛЫВ)
Doc. expérimental | hdv | couleur | 77:50 | Russie | Allemagne | 2015

SWIMMERS is a sketch of an attempt to maintain collective belief on the border of cosmology and psychedelic trance theater. Run-down houses in an abandoned settlement in the southern corner of Russia. A controversial physicist, Boris Zolotov lives here. In the mid-1980s, Zolotov decided to leave the walls of the Soviet research institutions to follow his own beliefs. Today these take the form of hour-long swimming rituals and night-time theater performances. A group of people have collected around him, who choose to share his journey Like many in the group, the young Ekaterina was led here by the many questions which remained unanswered elsewhere. Together with Boris Zolotov, she discusses the concept of happiness in contemporary Russia.

Kristina Paustian, born 1985 in Omsk, Russia. 2003 she moved to Germany to study at the University of the Arts in Berlin. She worked as a director of photography and editor for other artists before starting out as a video artist herself. Today Paustian`s artistic practice covers video art, film and installations. In her art she always tries to find and preserve a particular human constant into cinematographic forms. This constant (if there is any) goes far beyond language barriers, geographical borders, collective and social concepts or political structures. SWIMMERS is her first feature film.

Temra pavlovic
Catalogue : 2013On all fours | Doc. expérimental | | couleur | 6:40 | Pays-Bas | Mexique | 2013
Temra pavlovic
On all fours
Doc. expérimental | | couleur | 6:40 | Pays-Bas | Mexique | 2013

There is a German Shepherd in Tepoztlan who guards a brick villa where the walls are painted white and the furniture is modern. In the kitchen there are people chatting, the TV is on and the German Shepherd is waiting by the door. The villa is enclosed by a wall and you can hear church singing from the mountains, especially in the garden, where there is a sprinkler, purple flowers on the lawn and a woman dressed in Baby Blue.

Temra Pavlovic was born in the Netherlands and received her BFA in Film/Video from California Institute of the Arts (CalArts). She combines documentary and fiction, and uses materials from her direct surroundings. Her work has shown in different contexts, i.e. at Otras Obras in Tijuana, the RedCat theater and Human Resources in Los Angeles and the Sensory Ethnography Lab at Harvard University. She is currently living in Mexico City, working on a series of narrative documentary scenes under the umbrella title `Soluciones,` and she is a member of the three-headed collective Oa4s.

Denis pavlovic
Catalogue : 2017Zwischen Gestern und Morgen (Between Yesterday and Tomorrow) | Documentaire | 16mm | couleur | 25:15 | Allemagne | 2016
Denis pavlovic
Zwischen Gestern und Morgen (Between Yesterday and Tomorrow)
Documentaire | 16mm | couleur | 25:15 | Allemagne | 2016

The story of a man who came to Germany 17 years ago. It’s the 31.12.2017, a day in the life of Niaz Ahmadzai from Afghanistan. A never ending story of work, existence, love, familiy and an unfulfilled personality. The perfect integration of a fully functioning machine.

Denis Pavlovic, born in 1987 in Stuttgart, presented his first film "Smoother in 350ml" at the No Budget Festival in Tubingen in 2008. Thereupon he studied 3 years Film & Video at the Merz Akademie in Stuttgart. After his graduation he worked as an interne at the Documentary Production Company "Kloos und Co. Medien" in Berlin. In 2011 Denis accomplished his first long movie called "Paranoid Places" and in 2013 his second full-length documentary „Wo tanzen wir morgen" which celebrated its Premiere at the 19th Filmschau Baden-Wurttember Festival. In order to its success it was distributed via Teamwerk Stuttgart. Today Denis is studying documentary direction at the Filmakademie Baden- Wurttemberg and works as a freelancer filmmaker and artist. The main themes his films are about modern society in the midst of globalism and industrialism.

Temra pavlovic
Catalogue : 2015Vehicle | Vidéo | hdv | couleur | 9:40 | Pays-Bas | Mexique | 2014
Temra pavlovic
Vehicle
Vidéo | hdv | couleur | 9:40 | Pays-Bas | Mexique | 2014

Resting in the grass waiting for the rest, eating candy in the back of the truck. Driving on the bumpy road to where Paco arrives with his bebé on the Dinamo. Eating sugar cane.

Temra Pavlovic is an artist based in Amsterdam. She makes momental videos, sculptures and installations, and is a member of poetry group Oa4s (On all fours). Her work has been exhibited at e.g. Lodos gallery in Mexico City, Human Resources in Los Angeles, Les Rencontres Internationales in Paris, Interstate Projects in Brooklyn and Seventeen gallery in London.

Carlos pazos
Catalogue : 2007En blanc i negre, une vez mas | Film expérimental | 35mm | couleur | 10:30 | Espagne | 2006
Carlos pazos
En blanc i negre, une vez mas
Film expérimental | 35mm | couleur | 10:30 | Espagne | 2006

La rencontre entre un chimpanzé albinos (habillé en noir) et une vierge romaine noire (en chocolat blanc).


S`il vous plaît, voyez le catalogue de l`exposition "No me digas nada" ("Ne me dis rien", 2007, dont les coordonnées sont indiqués bas. Please, see the catalogue of the exhibition "No me digas nada" ("Tell nothing"), 2007, cited below. Nouvelle biographie: Né à Barcelona le 23 décembre 1949. Prix National des Arts Plastiques, 2004, Ministère de la Culture espagnol et Prix Villa de Madrid, 2003. Fait des études d?architecture à l?Universidad Politécnica, philosophie à l?Universidad de Barcelona et design à l?Ecole EINA de Barcelona. Il a exprimé son amour pour la musique et la nuit avec la direction d?un salon de bal (Salón Cibeles, 1978-1983), d?un cocktail bar (Bijou, 1983-1986) et d?un bar musical (Je-rrix, 1994-1995). Dans ce dernier local il a établi le siège de son Club de Fans, le "C.P.FANS CLUB", fondé en décembre 1994. En 1987 il est le protagoniste du film « Es quan dormo que hi veig clar » de Jordi Cadena sur des textes du poète Catalan J.V. Foix. En 1998, il dirige et réalise la scénographie de la pièce de theatre "El bell lloc", de Joan Brossa, au Espai Joan Brossa de Barcelona. Cette même année est publié "El Mundo del Ritmo" (édité par Tabelaria + Antojos), en collaboration avec Eduardo Mendoza et il est le protagoniste du video "Pianito", de Jordi Colomer. L?année 2002 il publie le scénario du film, en attente de producteur, "Aquí en la tierra como en el infierno" et en décembre 2004 il publie son livre ?Garabatos y Zarpazos?, édité par l?Université de Barcelona, dans la collection ?Les arts i els artistes?, en 2007 il publie « Fidelidad Total », en collaboration Ramón de España, édité par Raina Lupa et en 2008 « Diodrama », avec textes d?Eduardo Lago, edité par Atelier Clot. Il a fait sa première exposition individuelle en janvier 1970, à l?age de vint ans. En 2007 il a fait l?exposition rétrospective «No me digas nada» au MACBA (Museo Arte Contemporáneo de Barcelona) et au MNCARS (Museo Nacional Centro de Arte Reina Sofía), dont il prépare une version pour le Musée d?Art Contemporain de Sao Paulo, en 2009. Pour son exposition rétrospective il a réalisé le film « Mnemocine. Film à découper », un collage audiovisuel constitué par 11 épisodes, d?une durée de 26 minutes.

Catalogue : 2008Escenario vaciado | Art vidéo | betaSP | couleur | 2:42 | Espagne | 2008
Carlos pazos
Escenario vaciado
Art vidéo | betaSP | couleur | 2:42 | Espagne | 2008

Présentation du travail La vidéo «Décor vidé», montre la transition d?un décor avec un scénario et des personnages à un décor vidé et sans vie. Le texte ci-joint, nous parle du scénario et des personnages impliqués, l?un desquels es mon épouse et la personne qui a écrit ce texte. Le soir de Noël de l?an 2006, au premier étage de cet immeuble de la rue Pau Claris de Barcelona, est décédé ma mère, Emilia Foix. Elle avait quatre-vingt-dix ans. Quand elle s?y est installée, à la fin du mois de janvier de 1951, avec son époux, Claudi Cuchillo et ses quatre enfants, elle était lourdement enceinte. Je suis née dans cet appartement, au début du printemps. Dans le même endroit, nous étions ensemble quand je suis née, nous étions ensemble quand elle est décédée. Pendant toutes ces années, son appartement a été un décor plein, parfois bondé. La soudaine mort de mon père a laissé muets, pendants quelques mois, les meubles et les murs. Assez vite, d?abord avec le c?ur gros, plus tard en tournant une page, les feux, le piano et les chambres se sont remis en marche. Il y avait toujours quelqu?un, il y avait toujours un lit, il y avait toujours un plat à table. Le «petit asile de maman Cuchillo», comme l?appelait Carlos, ne fermait jamais. Depuis qu?elle est tombée malade, quelques espaces se sont lentement vidés. Mais elle a maintenu le décor à point jusqu?à la fin. Elle a encore donné les ordres de repasser les nappes et de sortir la vaisselle, les verres et les couverts pour le repas de Noël. Cuchillo de Pazos Collioure, août 2008


Né à Barcelona en 1949. Prix National des Arts Visuels de la Catalogne, 2008, Prix National des Arts Plastiques, 2004, Ministère de la Culture espagnol et Prix Villa de Madrid, 2003. Fait des études d?architecture à l?Universidad Politécnica, philosophie à l?Universidad de Barcelona et design à l?Ecole EINA. Il a fait sa première exposition individuelle en janvier 1970, à l?age de vingt ans. En 2007 il a fait l?exposition rétrospective «No me digas nada» au MACBA (Museo Arte Contemporáneo de Barcelona) et au Museo Nacional Centro de Arte Reina Sofía (Madrid), dont il prépare une version pour le Musée d?Art Contemporain de Sao Paulo, en 2009. Il a exprimé son amour pour la musique et la nuit en dirigeant le Salon de bal Cibeles (1978-1982), le cocktail bar Bijou (1983-1986) et le bar musical (Je-rrix, 1994-1995). Dans ce dernier local il a établi le siège de son Club de Fans, le "CP FANS CLUB". En 1987 il est le protagoniste du film « Es quan dormo que hi veig clar » de Jordi Cadena sur des textes du poète Catalan J.V. Foix. En 1998, il dirige et réalise la scénographie de la pièce de théatre "El bell lloc", de Joan Brossa. Cette même année est publié "El Mundo del Ritmo" (Tabelaria), en collaboration avec Eduardo Mendoza et il est le protagoniste du vidéo "Pianito", de Jordi Colomer. L?année 2002 il publie le scénario du film, en attente de producteur "Aquí en la tierra como en el infierno", en décembre 2004 il publie son texte ?Garabatos y Zarpazos?, édité par l?Université de Barcelona (2ème édition 2007) et en 2008 il a publié «Diodrama», avec textes d?Eduardo Lago, dans une édition de l?Atelier Clot, Paris.

Justin peach
Catalogue : 2009Kleine Wölfe | Documentaire | dv | couleur | 47:0 | Allemagne | 2009
Justin peach
Kleine Wölfe
Documentaire | dv | couleur | 47:0 | Allemagne | 2009

Sonu, un enfant âgé d?onze ans, vit avec d?autres enfants dans les rues de Katmandu. Leur routine quotidienne est un combat pour survivre dans la capitale chaotique de Népal: toujours à la recherche de nourriture, de drogues, de touristes charitables et ce qu?ils cherchent le plus ? comme tout les garçons de cet âge ? l?aventure et le fun. La vie de Sonu et de sa bande est marquée par la faim et la violence, mais est aussi remplie de moments enfantins de liberté dans les rues. Le film suit l?idée de «cinéma direct» ceux qui veut dire: il n?y a pas de narrateur, pas de musique ni de scènes posés. Nous avons voulu comprendre la vie quotidienne des enfants de la rue à Katmandu. L?histoire est racontée par les enfants eux-mêmes.


Justin Peach. Born 1982 in El Paso, Texas. Curiosity and love for technical things fueled first attempts in the media world. Internships at ZDF, SWR and Maran Film followed. 2003 begin of media-design studies at the University of Applied Sciences in Mainz, Germany with a major on documentary camera work. 2005 six months in Ecuador for an NGO documentary film about illegal animal transports. 2005 founder of PENG - a young collaborative art, communications and Design group. 2008 Final Diploma with "Lonely Pack" in Nepal. Since end of 2008 studying for a Masters degree in Journalism at the Johannes Gutenberg-University in Mainz.

Francesco pedraglio
Catalogue : 2015The Protagonist | Vidéo | hdv | couleur | 17:39 | Italie | Swaziland | 2015
Francesco pedraglio
The Protagonist
Vidéo | hdv | couleur | 17:39 | Italie | Swaziland | 2015

Loosely constructed from a collage of literary references, filmic vocabulary, broken-up narratives and improvisations, ‘The Protagonist’ is a work where the construction of a main character for a film is treated as an event for camera, a happening that becomes the film itself. Shot in two different interiors (an empty cinema and a house-party turning into a karaoke night) and constructed through six interconnected scenes, the film uses the tropes normally associated with the basic shaping of a narrative persona - looks, behaviours, personal details, surroundings etc. - and turns them all into the only available storyline to be followed. In an empty cinema, two unnamed men discuss the treatment for a possible narrative. Their abstract discussions are continuously interrupted by a second, parallel sequence: the movements and behaviours of a series of men and women abstractly portrayed while drinking, dancing, singing and carelessly chatting during a karaoke party.
The juxtaposition of the two scenes is an open proposal: mere rhythmic punctuation for the previous sequence, it might as well become a cypher for the two men’s unfinished storytelling. The film never starts, its constant deferral unveiling its basic mechanics, rendering them the only possible matter of interest: a story about the making of a character, about the becoming of a protagonist.

Francesco Pedraglio is an artist working with writing, performance, film and installation. He was born in Como (Italy) in 1981. Recent performances and exhibitions include: Norma Mangione Gallery, Turin (2015); The Physics Room, Christchurch, New Zealand (2015); Kunsthalle Wien (2015); DropCity, Newcastle (2015); MAZ-Museo de Zapopan, Mexico (2014); CCA Glasgow (2014); Hayward Gallery, London (2014); Rowing, London (2013); Jeu de Paume (2013), Kunsthalle Basel (2012); ICA (2012); Auto Italia South East (2012); Galerie Kamm, Berlin (2012); Hollybush Gardens, London (2011), The National Portrait Gallery (2011); Wysing Arts Centre, Cambridge (2011). His first novel "A man in a room spray painting a fly" was published by Book Works in summer 2014. Also in 2014 he was also the co-editor of the anthology of artists writings "Cadavere Quotidiano", published by X-TRA (Los Angeles). "The Object Lessons", a novella made in collaboration with Nina Beier and Marie Lund, was published by Mousse in 2012. Pedraglio is a founding member of the London based curatorial initiative FormContent (www.formcontent.org).

Maia pedro
Catalogue : 2009ARISE (ZONA) | Film expérimental | 35mm | couleur | 10:0 | Portugal | 2009
Maia pedro
ARISE (ZONA)
Film expérimental | 35mm | couleur | 10:0 | Portugal | 2009

Arise (Zona) has as starting point the feature film A Zona, by Sandro Aguilar and emerges up from all the cinematic dirtiness inherent to the film material. These images in the wasted film, doomed to emptiness and total forgetting, lead us to the ambiguity and indetermination between life and death, in which narrative and temporal logic are suspended.

Born in 1983. Graduated in Audiovisual Comunication at the Instituto Politécnico do Porto. Works as a freelance professional in cinema, multimedia and audiovisual. Videoart Course at Fundação Caloute Gulbenkian. Since 2004 he has been exploring the concepts of live cinema and live manipulation of images and its relation with sound.

Rune peitersen
Catalogue : 2005Cross003 | Art vidéo | dv | couleur | 4:0 | Danemark | Pays-bas | 2004
Rune peitersen
Cross003
Art vidéo | dv | couleur | 4:0 | Danemark | Pays-bas | 2004

Dans Cross003, on peut voir une image ressemblant à une croix, dans un premier temps comme une apparente manifestation tangible (une croix brillante ou brûlante) mais dans un second temps, comme une brèche dans un rideau ou une glace. La croix est faite de lumière pure et n?est évidente que comme une interprétation des contours sombres, un manque d?information visuelle. Quand les gens (ombres) apparaissent et bloquent la lumière, ma croix disparaît momentanément et la scène change de personnalité et de sens. Dans une tentative de décryptage et de catégorisation de l?imagerie changeante, le spectateur doit engager ses propres points de vue sur le voyeurisme et l?iconographie.


Rune Peitersen est né au Dannemark en 1971. Il vit et travaille à Amsterdam. Parcours Scolaire : 1999-2001 MFA, Frank Mohr Instituut, Groningen, www.mohr-i.nl 1995-1999, BA, Royal Academy of Art, La Hague, www.kabk.nl Exposé par : Gallery Ellen de Bruijne Projects

Artavazd pelechian
Catalogue : 2009Nous | Documentaire | 35mm | noir et blanc | 30:0 | Russie | 1969
Artavazd pelechian
Nous
Documentaire | 35mm | noir et blanc | 30:0 | Russie | 1969

Catalogue : 2009Notre siècle | Documentaire | 35mm | couleur | 30:0 | Russie | 1982
Artavazd pelechian
Notre siècle
Documentaire | 35mm | couleur | 30:0 | Russie | 1982