Catalogue > Liste par artiste
Browse the entire list of Rencontre Internationales artists since 2004. Use the alphabetical filter to refine your search.  update in progress  
Florian japp
Catalogue : 2005Die Schallplattensammlung meines toten Vaters | Film expérimental | 35mm | couleur | 0:24 | Suisse | Allemagne | 2005
Florian japp
Die Schallplattensammlung meines toten Vaters
Film expérimental | 35mm | couleur | 0:24 | Suisse | Allemagne | 2005

420 pochettes de disques 33 tours sont photographiées en demi-format sur film diapositive et projetées à raison de 24 images par seconde. Cela donne un film de 17,5 secondes.


Florian Japp, né à Zurich en 1971 Diplômé de l'Ecole des Beaux Arts de Hambourg. Documentariste et artiste à Berlin

Tom jarmusch
Catalogue : 2005Dream | Fiction expérimentale | super8 | couleur | 4:30 | USA | 2004
Tom jarmusch
Dream
Fiction expérimentale | super8 | couleur | 4:30 | USA | 2004

"Trois séquences non-linéaires mais reliées entre elles qui mélangent fiction et non-fiction. Des mésaventures successives, telles que sa perte, le fait qu'il ait été écrasé par un camion ou bien encore qu'il ait été impliqué dans la panne de trois projecteurs dans différentes régions du monde, participent à l'histoire de ce film. Réalisé à l'origine pour la First International Exhibition of 3-image Films de l'Anthology Film Archives en 1995, il a été récemment réédité en vidéo pour une projection à l'Underground Film Festival de Chicago, "New Visions," qui a eu lieu en Août 2005."


"Tom Jarmusch est artiste et réalisateur, il vit à New York, réalise des films, des vidéos, des photographies, et utilise également d`autres médias. Son travail a été montré en Europe et aux États-Unis, entre autre, au New Museum of Contemporary Art, à l`Artists Space, à la Knitting Factory, au Tonic ; il a exposé dans des galeries à New York et Paris, et a participé à des festivals internationaux, à Dresde, Locarno, Rotterdam, Hampton, Ontario, à Clermont-Ferrand (Vidéoformes), à la BBC Londres et au New York Underground Festival. Tom Jarmusch a travaillé comme directeur artistique et régisseur général pour des réalisateurs, comme Robert Frank, Claire Denis, Aki Kaurismaki, Ang Lee, Michael Almereyda ainsi que pour son frère, Jim Jarmusch. Il est acteur dans " Johnny Suede " et " Living in oblivion " de Tom Dicillo, et dans " The Golden Boat " de Raoul Ruiz."

Andrés jaschek, pauliina salminen
Catalogue : 2005La terre du milieu | Doc. expérimental | dv | couleur | 28:0 | Argentine | France | 2005
Andrés jaschek , pauliina salminen
La terre du milieu
Doc. expérimental | dv | couleur | 28:0 | Argentine | France | 2005

Vivre entre deux terres : celle d?origine et celle d?accueil. Appartenir à l?une comme à l?autre, s?attacher à une rive et à l?autre. Tiraillé entre les deux et placé au juste milieu, ni complètement pris par l?une ni parfaitement adopté par l?autre. C?est cette situation qu?explore l?installation « la terre du milieu » par le biais d?une traversée en bateau, de Tunis à Marseille. Ces 24 heures de voyage deviennent un véritable moment de détachement, physique et psychique, laissant apparaître les fissures du présent à travers lesquelles des images de l?avenir et du passé viennent à s?entremêler. Pauliina Salminen et Andrés Jaschek sont tous les deux marseillais d´adoption. Ils ont voulu dans cette installation, recréer les sensations intimes que les immigrés entretiennent avec leurs terres d´origine et d´accueil. Tout au long du voyage, certains passagers vont nous conduire dans leurs vécus et leurs impressions. Le parcours de ces passagers à travers les espaces du bateau entraîne aussi leur imaginaire à transiter dans leurs espaces de vie de Marseille et de Tunis.


Pauliina Salminen est née en 1975 en Finlande. Après ses études à l?Ecole d?art et de communication de Turku, elle s?installe à Marseille où elle obtient un DESS de cinéma. Puis, elle réalise des films documentaires (Les étoiles du vendredi soir en 2002, Miminor en 2003, Baignades en 2004) diffusés à la télévision et dans plusieurs festivals. Elle participe en tant que vidéaste à des créations pluridisciplinaires (Art Cup en 2002, Télé?euh en 2003). En 2004, elle crée l?installation vidéo interactive Just add water qui est exposée à Marseille, Montpellier, Helsinki et avec laquelle elle participe à la Biennale des jeunes créateurs d?Europe et de la Méditerranée à Naples en 2005.
Andrés Jaschek est né en 1977 en Argentine. Il est diplômé de l?Ecole des Beaux-Arts de La Plata. Parti poursuivre ses études artistiques en France, il obtient en 2001 une maîtrise de cinéma à l?Université de Provence. A l?issue de ses études, il alterne installations vidéo (Pornographie sentimentale en 2002) et films documentaires (Reconstructing Saint-Charles en 2003, Nudités en 2004). Il participe à des programmes européens de documentaire de création : Journeyman en 2002 et Réel en chantier en 2003-2004, où il développe plusieurs projets. Ses films ont été diffusés dans des festivals spécialisés en France, en Argentine, en Italie et en Espagne.

Juliane jaschnow, schroeder stefanie
Catalogue : 2015[ˈdʊŋkl̩ˌdɔɪ̯ʧlant] | Doc. expérimental | hdv | couleur | 13:13 | Allemagne | 2015
Juliane jaschnow , schroeder stefanie
[ˈdʊŋkl̩ˌdɔɪ̯ʧlant]
Doc. expérimental | hdv | couleur | 13:13 | Allemagne | 2015

In West Germany, ,,Dark Germany`` was a derisive term for reactionary regions of the country. Today it is mostly applied to former East Germany with its attempts to change its image: factories and chimneys are disappearing, wellness centers are popping up, sheep are grazing under solar panels. But recent past is stored close to the new surface. On a ghost train ride through the former GDR- industrial region around Halle/Bitterfeld, the Dunkeldeutschland-born filmmakers stumbling subjective camera is trying to find the right distance. Starting point of the journey is the former ORWO film factory, where people used to work in complete darkness.

Juliane Jaschnow: Studies in Fine Arts with Clemens von Wedemeyer and Joachim Brohm at the HGB Academy of Visual Arts in Leipzig. Bachelor’s degree in communication and media sciences from Leipzig University. DAAD scholarship to study at the Lomonosov Moscow State University in the field of journalism/photojournalism. Study abroad at the Academy of Fine Arts in Vienna with Thomas Heise. Professional Media Master Class and PMMC Lab of werkleitz Society. Member of the filmic initiative FILZ, Leipzig. Stefanie Schroeder: Studies in art education, art history, communication science, University of Greifswald.
Organisation of WBS70, independent culture centre, Greifswald. Guest student in media art, HFG Karlsruhe. Exchange student at Villa Arson, Nice. Studies in photography, class of Joachim Brohm, academy of visual arts, HGB Leipzig. Professional Media Master Class and PMMC Lab, Werkleitz Gesellschaft Halle/Saale. Member of the filmic initiative FILZ, Leipzig. www.schroederstefanie.de

Catalogue : 2017Die Wirkung des Geschützes auf Gewitterwolken (The Effect of Cannonry on Thunderclouds) | Doc. expérimental | 4k | couleur | 30:30 | Allemagne | 2017
Juliane jaschnow , schroeder stefanie
Die Wirkung des Geschützes auf Gewitterwolken (The Effect of Cannonry on Thunderclouds)
Doc. expérimental | 4k | couleur | 30:30 | Allemagne | 2017

Waves, storms and tornadoes are heading for Germany, everybody knows this, the weather forecasters, YouTube and games developers. The climate scenario becomes a lot of hot air, data sloshing everywhere, shitstorms or floods of refugees. Language, metaphors and images are instruments of control. They are used to dispel - and instill - fear. How does the image function as a document, as fiction, trophy, counterattack? How close are manipulation and prediction? Is the weather still real? A film about storm images and the storm as an image: Stormchasers pursue weather phenomena with the camera to turn them into photgraphic trophies. In front of the greenscreen of the TV studio the weathermen points into the void. At the Max Planck Institute, birds fly against artificial wind. Lovestormpeople flood the internet with their skewed slogans. Escape games play upon people`s societal fears. On fruit plantations hail cannons shoot 130 db soundwaves into the sky. Which weather has become normality? Either way, "something massive is coming towards us."

Juliane Jaschnow: Studies of Fine Arts in the field of photography and cinematography at the HGB Academy of Visual Arts in Leipzig. Bachelor’s degree in communication and media sciences from Leipzig University. DAAD scholarship to study at the Lomonosov Moscow State University in the field of journalism/ photojournalism. Study abroad at the Academy of Fine Arts in Vienna. Professional Media Master Class and PMMC Lab of werkleitz Society. Member of the Cinematic Initiative Leipzig FILZ. Stefanie Schroeder: Studies in art education, art history, communication science, University of Greifswald. Organisation of WBS70, independent culture centre, Greifswald. Guest student in media art, HFG Karlsruhe. Exchange student at Villa Arson, Nice. Studies in photography, class of Joachim Brohm, academy of visual arts, HGB Leipzig. Professional Media Master Class, Werkleitz Gesellschaft Halle/Saale. Member of the Cinematic Initiative Leipzig FILZ.

Salome jashi
Catalogue : 2007Mati Vertmpreni | Documentaire | dv | couleur | 22:10 | Georgie | 2006
Salome jashi
Mati Vertmpreni
Documentaire | dv | couleur | 22:10 | Georgie | 2006

La famille Ardoteli n'a découvert qu'un seul vestige de la civilisation. Un hélicoptère militaire Tchétchène écrasé il y a dix ans en Géorgie dans le Khevsureti supérieur. Comme il ne pouvait être utilisé comme bibliothèque, les vaches y prennent refuge et les enfants y ont installé leur aire de jeux privée. A travers les "yeux" fatigués de l'hélicoptère, ce documentaire d'observation conte l'histoire des différentes générations d'Ardoteli, exposées à ce seul vestige.


After Graduating from Tbilisi State University (Georgia) in 2002 and Caucasus School of Journalism and Media Management in 2003, Salome Jashi worked for Georgian Broadcasting Company Rustavi 2 as a journalist. Along with television production she independently made short video installations. She has completed an MA in Documentary by Practice, department of Media Arts at Royal Holloway, University of London. One of her student films was screened at the National Portrait Gallery as part of the discussion on self-portraiture. She was a member of jury at Norwegian Short Film Festival, 2007. Salome Jashi currently works on two new documentary projects and is a founder of production company Sakdoc Film (www.sakdoc.ge) with documentary film production as its main priority.

Dimas jayasrana
Catalogue : 2006Please come to my dream i want to hurt you | Vidéo expérimentale | dv | noir et blanc | 6:11 | Indonésie | 2006
Dimas jayasrana
Please come to my dream i want to hurt you
Vidéo expérimentale | dv | noir et blanc | 6:11 | Indonésie | 2006

La douleur est si proche du plaisir.


Dimas Jayasrana est né à Jakarta le 3 décembre 1979. Il a arrêté ses études après le lycée et a déménagé dans le centre de Java où il a vécu de 1998 à 2004. Il travaille principalement en freelance lors de projections de films et lors d?événements dans le domaine de l?art et la culture en général. Depuis 2002, il travaille sur une communauté de base de donnée cinématographique, un réseau en accès libre pour les communautés cinématographiques et vidéo en Indonésie.

Catalogue : 2006Old Shoes | Vidéo expérimentale | dv | couleur | 0:42 | Indonésie | 2006
Dimas jayasrana
Old Shoes
Vidéo expérimentale | dv | couleur | 0:42 | Indonésie | 2006

Une expression stéréotypée des relations humaines.


Je suis née à Jakarta le 3 décembre 1979. Je n'ai pas continué mes études après le lycée.J'ai déménagé au centre de Java en 1998 et y suis resté juqu'en 2004. Je travaille la plupart du temps en freelance pour des projections de films ou des événements artistiques et culturels. Depuis 2002 je travaille sur un film et sur la création d'une plate forme de communication qui qui mettrait en réseau les films et les vidéastes Indonésiens.

Catalogue : 2006Imperial March | Vidéo expérimentale | dv | couleur | 3:20 | Indonésie | 2006
Dimas jayasrana
Imperial March
Vidéo expérimentale | dv | couleur | 3:20 | Indonésie | 2006

Une vidéo remixée du film indonésien des années 80, "Pembalasan Rambu" copie le film hoolywoodien Rambo.


Dimas Jayasrana was born in Jakarta, on December 3, 1979. He did not continue his studies after high school. He moved to Central Java in 1998 and lived there until 2004. He has mostly been working freelance for film screening and art & culture events in general. Since 2002, he has been working on a film and video community database - an open access network for the film and video community in Indonesia.

Catalogue : 200625 Years Boredom | Vidéo expérimentale | dv | couleur | 1:0 | Indonésie | 2006
Dimas jayasrana
25 Years Boredom
Vidéo expérimentale | dv | couleur | 1:0 | Indonésie | 2006

Avoir 25 ans montré de façon clichée.


Dimas Jayasrana est né à Jakarta le 3 décembre 1979. Il a arrêté ses études après le lycée et a déménagé dans le centre de Java où il a vécu de 1998 à 2004. Il travaille principalement en freelance lors de projections de films et lors d?événements dans le domaine de l?art et la culture en général. Depuis 2002, il travaille sur une communauté de base de donnée cinématographique, un réseau en accès libre pour les communautés cinématographiques et vidéo en Indonésie.

Catalogue : 2006604 | Doc. expérimental | dv | couleur | 18:31 | Indonésie | 2006
Dimas jayasrana
604
Doc. expérimental | dv | couleur | 18:31 | Indonésie | 2006

Les transports publics à Jakarta ou comment ne pas oublier de payer son assurance vie.


Dimas Jayasrana was born in Jakarta, on December 3, 1979. He did not continue his studies after high school. He moved to Central Java in 1998 and lived there until 2004. He has mostly been working freelance for film screening and art & culture events in general. Since 2002, he has been working on a film and video community database - an open access network for the film and video community in Indonesia.

Jorge jÁcome
Catalogue : 2017Flores | Fiction | 16mm | couleur | 26:0 | Portugal | 2017
Jorge jÁcome
Flores
Fiction | 16mm | couleur | 26:0 | Portugal | 2017

In a natural crisis scenario, the entire population of Azores is forced to evict due to an uncontrolled plague of hydrangeas, a common flower in these islands. Two young soldiers, bound to the beauty of the landscape, guide us to the stories of sadness of those forced to leave and the inherent desire to resist by inhabiting the islands. The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we came from.

Jorge Jácome was born in Viana do Castelo (Portugal) in 1988 and spent is childhood in Macau. He completed is degree in cinema in 2010 at Escola Superior de Teatro e Cinema and in 2016 graduated with “ felicitations du jury ” from Le Fresnoy - Studio national des Arts Contemporains. His work is based on a strongly intuitive and sensorial process resulting in films made of narrative drifts, unexpected relationships and unusual encounters. His short films have been shown at film festivals in Portugal, Spain, France, Germany, Slovenia, Poland and Israel, and in retrospectives at the New Bedford Whaling Museum, Palais de Tokyo, Maison Européenne de la Photographie, CalArts - California Institute of the Arts and at Georgetown University.

Maximillian jÄnicke, random industries
Catalogue : 2005Media corrosion | Vidéo expérimentale | dv | couleur | 2:0 | Allemagne | 2005
Maximillian jÄnicke , random industries
Media corrosion
Vidéo expérimentale | dv | couleur | 2:0 | Allemagne | 2005

L´oeuvre de Jänique est une plage de la compilation ?Essay?s on the radio : Can I have two minutes of your time?? ("Essais radiophoniques : puis-je avoir deux minutes de votre temps?"), par Cronica Electronica. Cette compilation se compose d´un CD audio et d´un DVD, et, comme Cronica ne voulait pas simplement rassembler des morceaux de musique (aussi intéressants ces morceaux soient-ils), ils ont essayé de trouver une idée unifierait les plages en une composition collective cohérente, afin de ne pas seulement présenter le label et chaque artiste, mais aussi d´en faire une occasion de créer une oeuvre qui aurait une signification. "Essays on Radio" cherche à commenter un moyen sonore, la technique et la culture radio.


Matt jenkins
Catalogue : 2018Helen Frankenthaller Radial Glow | Vidéo expérimentale | hdv | couleur | 3:36 | USA | 2015
Matt jenkins
Helen Frankenthaller Radial Glow
Vidéo expérimentale | hdv | couleur | 3:36 | USA | 2015

Akira Kurosawa said that "to be an artist means to never avert one`s eyes." Akira Kurosawa said that "to be an artist means to never avert one's eyes." This work was created as a teaching tool to inspire students in studio art courses that combine painting discourse with video art.

I am an Associate Professor of Art at Metropolitan State University of Denver. I teach courses such as performance art, socially engaged art, video art, environmental art, and internet art.

Nicolas jenkins
Catalogue : 2015Walk! | Documentaire | hdv | couleur | 12:0 | Canada | USA | 2015
Nicolas jenkins
Walk!
Documentaire | hdv | couleur | 12:0 | Canada | USA | 2015

Voguing is a form of dance that was created on the streets and drag balls of Harlem by a subculture of young mostly poor, gay, trans, black and/or Latino’s in the 1980s. The Ballroom scene in which Voguing exists in is an art form that’s closely linked with ideas of fashion, luxury, and social and economic mobility. In the past few years the Voguing and Ballroom scene has seen a resurgence in its popularity spreading across the globe. No longer limited to members of American urban black and Latino gay communities it can be found as far away as Russia now. Historically the Ballroom scene included society`s most marginalized: minorities within minorities within minorities. In a world where they have been rejected, ballroom not only accepted these people for who they were, it celebrated them! While this resurgence in popularity is celebrated by many there is concern by some that with Voguing’s success in crossing over into the mainstream to communities of the "non marginalized" that there is a risk the dance may slowly be losing its connections to its roots. Featuring archival footage shot by the filmmaker himself from legendary Balls from the late 1980’s to the 2015. With the House of Pendavis, House of Chanel, House of Fields, Love Ball, House of Latex, and the House of Xtravaganza.

Nicolas Jenkins (a.k.a. Sterile Cowboys & Co.), is a filmmaker and former underground warehouse party promoter based in New York city. His films and videos have been shown extensively across North America and Europe. His work has also been broadcast on PBS television and screened at the Paris Pompidou Center and his experimental video “The Bridge” is part of the permanent collection of the National Gallery of Canada. While living in Montreal he established a name for himself as a pioneer in the underground warehouse party scene. Between 2000-2004 Jenkins produced a monthly cable show in New York going by the name PRODUCT (Diary of a Disco Dolly). Conceived as an anthropological urban study, PRODUCT became a public outlet for how fringe culture is produced and redistributed to the masses. Between 2005-2007 Nicolas collaborated with Genesis P-Orridge and PSYCHIC TV (PTV3) creating videos for their album and world tour. Between 2010-2013 he collaborated with modern dance choreographer Mei-Yin Ng creating visuals for her multimedia dance performances. His most recent collaboration has been with the House of Ladosha. He is currently working on a video installation centered around people in the LGBT community who do not assimilate.

Nicolas jenkins
Catalogue : 2007New York Story | Vidéo expérimentale | dv | couleur | 7:0 | Canada | USA | 2007
Nicolas jenkins
New York Story
Vidéo expérimentale | dv | couleur | 7:0 | Canada | USA | 2007

Breyer P-Orridge, aka Genesis P-Orridge et sa partenaire Lady Jaye, ont attiré l'attention ces dernières années pour avoir suivi des procédures médicales pour éliminer leurs différences physiques. "Un des thèmes central de notre travail est la malléabilité de l'identité physique et comportementale," expliquent-ils en clamant leurs identités fusionnées. Les deux espèrent créer un nouveau sexe, le pandrogyne, une identité hermaphrodite appelée Breyer P-Orridge.


Nicolas Jenkins, artiste vidéo basé à New York et ancien promoteur de soirées underground dans les entrepôts, a passé la plupart de sa vie à voyager. Né au Pérou, il a déjà vécu sur six des sept continents avant de finir l'école. Ses courts métrages et ses vidéos ont beaucoup été montré à travers l'Europe et l'Amérique du Nord. Son ?uvre vidéo "The Bridge" fait partie de l'exposition permanente à la National Gallery du Canada. Lorsqu'il vivait à Montréal, il se fit connaître en tant que pionnier de la scène des soirées underground dans les entrepôts. Jenkins a aussi collaboré avec un nombre de groupes internationalement reconnus tel que le Cirque du Soleil pour produire des évènements multimédia élaborés. Nicolas collabore en ce moment avec Genesis P-Orridge et PSYCHIC TV sur des vidéos pour leur prochain album et tournée mondiale.

Dhia jerbi
Catalogue : 2018Au pays des oranges tristes | Documentaire | hdv | noir et blanc | 26:0 | Tunisie | France | 2018
Dhia jerbi
Au pays des oranges tristes
Documentaire | hdv | noir et blanc | 26:0 | Tunisie | France | 2018

C`est une lettre d`un père à son fils. Cette naissance questionne la paternité, l`exil et l`héritage dans un petit appartement qui devient, le temps d`un film, l`espace d`une rencontre de trois générations, séparées entre la Tunisie et la France.


Dhia Jerbi est un jeune cine?aste Tunisien, ne? en 1991 aux Emirates Arabes Unis, où ila grandi. Il est rentre? en Tunisie en 2003. Après son baccalaure?at et un an dans une e?cole d'inge?nieurs, il a change? d'orientation et s'est inscrit à l'Institut Supe?rieur d'Art Multime?dia de la Mannouba (Tunis) où il a obtenu une licence en re?alisation et e?criture cinématographique. A l'ISAMM il a réalisé? plusieurs films d'e?cole, notamment Marhouja. Il est ensuite parti en France pour s'inscrire à l'Ecole documentaire de Lussas où il a re?alise? trois films dont “Au pays des oranges tristes?. Le documentaire et la fiction s'entremêlent souvent dans ses films.

Pedro jimÉnez, benito jiménez
Prapat jiwarangsan
Catalogue : 2015Dok-Rak | Vidéo | hdv | couleur | 9:19 | Thaïlande | 2015
Prapat jiwarangsan
Dok-Rak
Vidéo | hdv | couleur | 9:19 | Thaïlande | 2015

A) DJ Dok-Rak, a disc jockey for a radio station in Chiang Mai, lost her job after the National Peace and Order Maintaining Council shut down every single Red Shirt radio stations after the 2014 coup d`etat. Since then, her life has turned upside down. She becomes a taxi driver instead, yet still lulls the passengers with her own live session. B) Karen boy has to secrete himself working in a village in Chiang Mai due to his lack of identification document. He needs to be more cautious after the coup because he is afraid of being send back to Myanmar. C) The filmmaker invites Dok-Rak and the boy to a pond, a shelter where they can do things that they cannot do in real life. They seem like nonpermanent refugees who are looking forward to liberation and far-fetched freedom.

Prapat Jiwarangsan (b.1979, Bangkok) is a multidisciplinary artist and filmmaker who received his M.A. in Fine Arts from London’s Royal College of Art in 2011. In a unique, interdisciplinary practice, he usually returns to themes such as memory, political history, and nationalism, especially in Thai society. His installations have appeared in Bangkok, London, Baden and Hong Kong, while his videos have screened at international film events such as Canada’s Image Festival, Experimenta India and Singapore International Film Festival. From 2010 to 2011, Prapat’s work appeared at London’s Siobhan Davies Studios and Hockney Gallery. The following year, he held a solo show I Will Never Smile Again at Bangkok’s WTF Gallery, as well as participated in Politics of Me, a group exhibition at the Bangkok Art and Culture Centre. In 2013, his work appeared at two international exhibitions: first as part of Subjective Truth at Hong Kong’s 10 Chancery Lane Gallery, and later as part of Concept Context Contestation: Art and the Collective in Southeast Asia at the Bangkok Art and Culture Centre. In 2014, he had a solo exhibition at Kunstverein Baden, Austria. Currently, he is an artist-in-residence at Seoul Art Space Geumcheon, South Korea.

Catalogue : 2016Aesthetics101 | Vidéo | hdv | couleur | 3:2 | Thaïlande | 2016
Prapat jiwarangsan
Aesthetics101
Vidéo | hdv | couleur | 3:2 | Thaïlande | 2016

The film evolves from more than 7,000 educational slides left in the cabinet of Somkiat Tangnamo, a Professor of Aesthetics and a founder of Thailand`s `virtual university`, who passed away several years ago. These slides weren`t in use anymore in today`s art education. Thus, it represents the mode of teaching in the past. Watching and piecing these slides together is a journey to an art education in Thailand. After I stay with these slides for months, I set a goal to create a workpiece from Somkiat`s slide archive. Getting started, I examined these slides one by one. They were categorized and put separately in boxes with a criterion unknown to us. I also correlated these slides with the hundreds of articles that this professor had translated into Thai for teaching`s sake. In search of stories in this archive, I tried putting these photos together to create a new meaning out of them.

Prapat Jiwarangsan (b.1979, Bangkok) is a multidisciplinary artist and filmmaker who received his M.A. in Fine Arts from London’s Royal College of Art in 2011. In a unique, interdisciplinary practice, he usually returns to themes such as memory, political history, and nationalism, especially in Thai society. His installations have appeared in Bangkok, London, and Hong Kong, while his videos have screened at international film events such as International Film Festival Rotterdam, Experimenta India, and Canada’s Images Festival.

Catalogue : 2018Destination Nowhere | Doc. expérimental | hdv | couleur | 7:19 | Thaïlande | 2018
Prapat jiwarangsan
Destination Nowhere
Doc. expérimental | hdv | couleur | 7:19 | Thaïlande | 2018

One day in Japan, a young man found out that a place he had thought his only home country rejected him. Destination Nowhere is a mix between an artist`s process of making a new artwork and a story about a young man who inspires the work. It`s also a story about Thailand, Japan, and the in-between world.

Prapat Jiwarangsan (b.1979, Bangkok) is a multidisciplinary artist and filmmaker who received his M.A. in Fine Arts from London’s Royal College of Art in 2011. In a unique, interdisciplinary practice, he usually returns to themes such as memory, political history, and nationalism, especially in Thai society. His installations have appeared in Bangkok, London, Tokyo, Seoul, Hong Kong and Rotterdam, while his videos have screened at international film events such as International Film Festival Rotterdam, Onion City Film Festival, Experimenta India, Open City Documentary Festival, Uppsala International Short Film Festival, and Singapore International Film Festival. From 2016 to 2019, Jiwarangsan’s work appeared at Japan’s Tokyo Arts and Space Hongo, Korea’s Seoul Art Space Geumcheon, Myanmar’s The Secretariat and the Singapore Art Museum. Recently, his installation made from nine 35mm slide projectors was exhibited at the International Film Festival Rotterdam.

Clara jo
Catalogue : 201724h Dahlem | Doc. expérimental | hdv | couleur | 17:13 | USA | Allemagne | 2016
Clara jo
24h Dahlem
Doc. expérimental | hdv | couleur | 17:13 | USA | Allemagne | 2016

“ 24h Dahlem ” examines the motivations behind the planned relocation (2019) of the ethnographic collections from the Dahlem State Museum’s the Ethnological Museum and Museum for Asian Arton the periphery of Berlin to the future site of the Humboldt Forum in Berlin Mittea site in the city center that resurrects 19th-century Prussian architectural elements stemming from classical and romantic ideals. The film moves through the different layers of the museums and archives, and seeks to deconstruct a familiar pattern in the way the city reshapes its cultural identity through physical destruction and renewalthe effects of which also relegate to the periphery objects and cultures whose narratives are not complicit with those formed within the context of Western modernization.

Clara Jo (Berlin) is a graduate of Bard College and the Institut für Raumexperimente / UdK Berlin. Her recent film and sculptural installations work in conversation with sites implicated in revisionist histories.

- jodi
Catalogue : 2012- | Performance | | | 20:0 | Pays-Bas | 2012
- jodi
-
Performance | | | 20:0 | Pays-Bas | 2012

Performance with a group demonstration of an iPhone application. Volunteers followed instructions from their individual phones, creating performance art through a combination of dance and exercise movements dictated by the app.

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Michael johansson, johan jonason
Catalogue : 2005That's low | Vidéo expérimentale | dv | couleur | 5:17 | Suède | 2002
Michael johansson , johan jonason
That's low
Vidéo expérimentale | dv | couleur | 5:17 | Suède | 2002

La performance de Jonason révèle son état intérieur réel ainsi que celui du photographe, simultanément. Aucun d'eux ne le croit.


Michael Johansson (né en 1975) vit et travaille à Malmö en Suède. Son travail s?étend sur des médias variés : la photographie, les installations et la vidéo. "That?s low" a été fait en collaboration avec le réalisateur et artiste Johan Jonasson. Jonasson (né en 1970) travaille et vit à Stockholm, en Suède, et il se partage entre le film et l?art, ayant exposé son travail aussi bien dans des expositions que des festivals de film. "That?s low" a été tourné sur un toit, à Stockholm, avec en haut de l?affiche, un Jonason qui ne s?est jamais débrouillé pour avoir notre sympathie, ni la sienne. Johnasson et Jonason ont travaillé ensemble pendant dix ans en deçà de leurs travaux personnels. Les autres projets sur lesquels ils ont collaborés sont ?Le Kurde? et ?Never Leave Me?.

Ingela johansson
Catalogue : 2016In the Light and Shade of the Ornaments - A Rehearsal | Vidéo | hdv | couleur | 69:0 | Suède | 2015
Ingela johansson
In the Light and Shade of the Ornaments - A Rehearsal
Vidéo | hdv | couleur | 69:0 | Suède | 2015

“The light and shade of the ornaments – a rehearsal” is a micro biography of the glass workers from the Sudetenland that were given employment in the glass industry, Sweden, after the 2WW. Two actors are taking turns facing each other reading an extensive amount of text, and two hands are leafing through photos. The 1st chapter tells the story of the voyage and dislocation of the Sudeten Germans from Czechoslovakia to Sweden. The narrative elucidates how, and why, this workforce was brought over, and the effect of the migration on both a personal and industrial level, including how the labour movement organized the new arrivals. The 2nd chapter is turned towards the local context, how Swedish glassworks were inspired by the traditions of the Sudeten Germans, in Bohemia. We are told about what happened to one of the world’s last kingdoms of crystal, Bohemia, during and after the Nazi occupation and under Communism. How centuries of migrations from central Europe has influenced the Swedish glass industry, a vital element for understanding how the Sudeten Germans were regarded as craftsmen. The narrative highlights how the destinies of the glass workers were shaped by war and different political systems.

Ingela Johansson, is an artist that lives and works in Stockholm. Johansson’s research-based artistic practice often responds to site-specific issues with an interest in social history and collective memory. Her interdisciplinary approach combines various aesthetic strategies and media to create an engaging body of work. She was part of the Kirunatopia project presented at Bildmuseet, Umeå (2012) and Kunsthaus Dresden (2014). Her book project The art of the strike, voices on cultural and political work during and after the mining strike in the north of Sweden in 1969–70 (Glänta, 2013). Her most recent exhibitions and projects include; Damage and Loss, Alternativa Gdansk, 2016, Moving mass, Kalmar Konstmuseum, 2015–16 and Die Ästhetik des Widerstands, Galerie im Turm, Berlin, 2014. She is the Reserch in Residence at BAC Baltic Art Center, Visby.

Birgit johnsen, hanne nielsen
Catalogue : 2018Outside is Present | Vidéo | 4k | couleur | 14:57 | Danemark | 0 | 2017
Birgit johnsen , hanne nielsen
Outside is Present
Vidéo | 4k | couleur | 14:57 | Danemark | 0 | 2017

Outside is present is based on the often stereotype and one-sided media images from the world`s many focal points and from provincial places far out in the countryside. In Outside is present blend these two confrontational media representations, so a small village in Denmark is hereby transformed into one of the world`s focal points. The small well-known facets of the village thus change character in fictionalization and can either occur as everyday realisme, idyllic or scary, depending on the eye that looks: whether it is the individual in relation to the village, the village in relation to the capital, the capital in relation to the country or the country in relation to the world. A similar superfictional view of the world led Miguel de Cervantes` famous madman Don Quixote.

Birgit Johnsen & Hanne Nielsen are educated from the Art Academy of Jutland from 1991 and 1990 They have worked and exhibited together with video, documentary and installations since 1993 . Latest exhibition can REVISIT at Overgaden 2018, Protect/Release at Røda Sten Kunsthall 2017 and Inclusion / Exclusion ARoS 2014. In 2016 /17 they were received Carl Nielsen and Anne Marie Carl-Nielsens honorary award and with Eckersberg Medal, The Royal Academy of Fine Arts.

Jonathan johnson
Catalogue : 2017Low Season | Doc. expérimental | hdv | couleur et n&b | 15:0 | USA | 2016
Jonathan johnson
Low Season
Doc. expérimental | hdv | couleur et n&b | 15:0 | USA | 2016

Loosely framed by interviews with the filmmaker’s parents, Low Season is an experimental documentary portrait of lives shaped global forces. Meditations on war, melding cultures and life lessons ebb and flow across time, continents and landscapes.

Jonathan Johnson is an artist and experimental filmmaker whose work explores ideas about place, identity and nature. Autobiography plays a role in Johnson’s work as he often references his personal background of mixed-race and transnational histories and experiences. Johnson’s work has been shown at film festivals and galleries in over 30 countries including: Museo Nacional Centro de Arte Reina Sofia, Madrid; Modern Art Museum, Sao Paulo, Brazil; Wexner Center for the Arts, Columbus, Ohio; Galleria Sment, Braga, Portugal; Africa Centre, Cape Town, South Africa; Sofia Arsenal Museum of Contemporary Art, Sofia, Bulgaria; Haverhill Experimental Film Festival; Benaki Museum, Athens, Greece; Union Docs, Brooklyn; Winnipeg Underground Film Festival and the EXiS Film Festival, Seoul, South Korea.

Patrick jolley
Catalogue : 2009snakes | Fiction expérimentale | 16mm | noir et blanc | 5:0 | Irlande | 2009
Patrick jolley
snakes
Fiction expérimentale | 16mm | noir et blanc | 5:0 | Irlande | 2009

Sounds of slow traffic on a rainy street. A man in a cheap suit lies on the bed in a quiet apartment. Snakes entwine him, crawling slowly in and out of his clothes,

The work of the Irish artist Patrick (or Paddy) Jolley spans photography, video installation and cinema.. Its starting points lie in those moments where time seems to move abnormally or an atmosphere becomes unnaturally dense or thin. These anxious impressions are then interwoven with a range of images of dense metaphoric resonance.. Symbols with many layers of association that can appear deeply significant or equally empty of meaning. The tone is dark and redolent with melancholia but retains a possibility of the absurd or slapstick comedy. His work shows frequently in galleries and cinemas around the world and is in the collections of several major museums.